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Title of the first 10 volumes of the series is Germans to America : lists of passengers arriving at U.S. ports 1850-1855.
Harris (emeritus, history, Temple U.) argues that previous interpretations have misunderstood the historical trends of human population growth and decline, therefore failing to grasp the causes and consequences of recurring patterns. In an effort to provide a simpler, more accurate and insightful way to generalize and understand these trends, he presents new models for depicting, connecting and understanding three forms of expansion. These models are then applied to specific populations in the U.S. from 1607 to the 1990s, and to other northern European colonizations around the world. He also examines growth and decline in South and Middle America, regions of European countries, Japan, and China. The text concludes with a discussion of local populations, including the growth of cities and urban populations, as well as smaller populations such as towns, villages, and hamlets. This is volume 1, but it's not clear how many volumes are planned. Annotation copyrighted by Book News Inc., Portland, OR.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Copublished with the Utah State Historical Society. Affiliated with the Utah Division of State History, Utah Department of Heritage & Arts. Stories of the ordinary people who helped build Salt Lake City emerge from a study of their often humble adobe houses. Rather than focusing on men and women in positions of power and influence, the emphasis here is on the lives of people who built their sturdy, simple homes from mud. A Modest Homestead provides architectural descriptions of ninety-four extant adobe houses. These homes are for the most part unremarkable, except for their perhaps unexpected construction material. They are as basic as the people who built them--small tradesmen and farmers, laborers and domestics. Author Laurie Bryant discusses the neighborhoods in Salt Lake City where adobe houses have survived, often much renovated and disguised, and she showcases the houses not just as they appear today but as they were originally built. Almost all the houses now have additions and improvements, and without some dissection, they are not always recognizable. They now appear both comfortable and pleasant, which was not always the case in the nineteenth century. What emerges through closer examination and Bryant's research is a fuller picture of the roughhewn life of many early Utahns.