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Deborah C. De Rosa examines the multifaceted nature of domestic abolitionism, a discourse that nineteenth-century women created to voice their political sentiments when cultural imperatives demanded their silence. For nineteenth-century women struggling to find an abolitionist voice while maintaining the codes of gender and respectability, writing children's literature was an acceptable strategy to counteract the opposition. By seizing the opportunity to write abolitionist juvenile literature, De Rosa argues, domestic abolitionists were able to enter the public arena while simultaneously maintaining their identities as exemplary mother-educators and preserving their claims to "femininity." Using close textual analyses of archival materials, De Rosa examines the convergence of discourses about slavery, gender, and children in juvenile literature from 1830 to 1865, filling an important gap in our understanding of women's literary productions about race and gender, as well as our understanding of nineteenth-century American literature more generally.
A brief look at the anti-slavery movement and its participants.
This study of the West Indies in the mid-19th century draws on the experiences of more than a dozen sugar colonies to illustrate the politics and society of the islands on the eve of emancipation. It places British government policies towards the region in the context of Victorian attitudes.
Black Abolitionist Papers: Vol. I: The British Isles, 1830-1865
In the moralistic texts of jeremiadic discourse, authors lament the condition of society, utilizing prophecy as a means of predicting its demise. This study delves beneath the socio-religious and cultural exterior of the American jeremiadic tradition to unveil the complexities of African American jeremiadic rhetoric in antebellum America. It examines the development of the tradition in response to slavery, explores its contributions to the antebellum social protest writings of African Americans, and evaluates the role of the jeremiad in the growth of an African American literary genre. Despite its situation within an unreceptive environment, the African American jeremiad maintained its power, continuing to influence contemporary African American literary and cultural traditions.
Reflecting a prodigious amount of research in primary and secondary sources, this book examines the efforts of American abolitionists to bring northern religious institutions to the forefront of the antislavery movement. John R. McKivigan employs both conventional and quantitative historical techniques to assess the positions adopted by various churches in the North during the growing conflict over slavery, and to analyze the stratagems adopted by American abolitionists during the 1840s and 1850s to persuade northern churches to condemn slavery and to endorse emancipation. Working for three decades to gain church support for their crusade, the abolitionists were the first to use many of the tactics of later generations of radicals and reformers who were also attempting to enlist conservative institutions in the struggle for social change. To correct what he regards to be significant misperceptions concerning church-oriented abolitionism, McKivigan concentrates on the effects of the abolitionists' frequent failures, the division of their movement, and the changes in their attitudes and tactics in dealing with the churches. By examining the pre-Civil War schisms in the Presbyterian, Baptist, and Methodist denominations, he shows why northern religious bodies refused to embrace abolitionism even after the defection of most southern members. He concludes that despite significant antislavery action by a few small denominations, most American churches resisted committing themselves to abolitionist principles and programs before the Civil War. In a period when attention is again being focused on the role of religious bodies in influencing efforts to solve America's social problems, this book is especially timely.
Women in the United States, 1830-1945 investigates women's economic, social, political and cultural history, encompassing all ethnic and racial groups and religions. It provides a general introduction to the history of women in industrializing America. Both a history of women and a history of the United States, its chronology is shaped by economic stages and political events. Although there were vast changes in all aspects of women's lives, gender (the social roles imputed to the sexes) continued to define women's (and men's) lives as much in 1945 as it had in 1830.
Boime (art history, UCLA) reveals in the expansive vistas of Cole, Church, Bierstadt, Moran, and others a shared perspective--a visual trajectory from the heights to a scenic panorama below. This elevated view, he argues, not only united the major movements of 19th-century landscape painting but also linked them inescapably to the political and social tenets of Manifest Destiny. With eight color, 45 bandw illustrations. 91/4x61/4 Annotation copyrighted by Book News, Inc., Portland, OR
This text provides a selection of African-American voices, describing written works, oral history, photographs and moving images. Sources from 1883 to the 1990s are annotated and discussed, and are aimed at showing more of the African-American experience than is often portrayed in the mass media.