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Many modern historians have painted Ulysses S. Grant as a butcher, a drunk, and a failure as president. Others have argued the exact opposite and portray him with saintlike levels of ethic and intellect. In Ulysses S. Grant: Triumph over Adversity 1822–1865, historian Brooks D. Simpson takes neither approach, recognizing Grant as a complex and human figure with human faults, strengths, and motivations. Simpson offers a balanced and complete study of Grant from birth to the end of the Civil War, with particular emphasis on his military career and family life and the struggles he overcame in his unlikely rise from unremarkable beginnings to his later fame as commander of the Union Army. Chosen as a New York Times Notable Book upon its original publication, Ulysses S. Grant is a readable, thoroughly researched portrait that sheds light on this controversial figure.
The idea of Texas was forged in the crucible of frontier warfare between 1822 and 1865, when Anglo-Americans adapted to mounted combat north of the Rio Grande. This cavalry-centric arena, which had long been the domain of Plains Indians and the Spanish Empire, compelled an adaptive martial tradition that shaped early Lone Star society. Beginning with initial tactical innovation in Spanish Tejas and culminating with massive mobilization for the Civil War, Texas society developed a distinctive way of war defined by armed horsemanship, volunteer militancy, and short-term mobilization as it grappled with both tribal and international opponents. Drawing upon military reports, participants' memoirs, and government documents, cavalry officer Nathan A. Jennings analyzes the evolution of Texan militarism from tribal clashes of colonial Tejas, territorial wars of the Texas Republic, the Mexican-American War, border conflicts of antebellum Texas, and the cataclysmic Civil War. In each conflict Texan volunteers answered the call to arms with marked enthusiasm for mounted combat. Riding for the Lone Star explores this societal passion--with emphasis on the historic rise of the Texas Rangers--through unflinching examination of territorial competition with Comanches, Mexicans, and Unionists. Even as statesmen Stephen F. Austin and Sam Houston emerged as influential strategic leaders, captains like Edward Burleson, John Coffee Hays, and John Salmon Ford attained fame for tactical success.
This volume offers the insights of Baltic and Western European scholars into present socioeconomic, migration, identity, gender, race, media, and historical memory issues in the Baltic States. The book attempts to show the intensity and depth of social, economic and cultural change in the Baltic region. It throws light on why and how three small countries have become a litmus test case of modernity and its sensibilities, stretching from authoritarian and totalitarian past to liberal-democratic present. An historic jump from the Soviet Union to the European Union was accompanied by a dramatic struggle of the Baltic States for their inalienable right to return to the political map of the world. The Baltic States allow us a glimpse of the twentieth century history better than anything else. This interdisciplinary volume, by virtue of different perspectives employed by political scientists, gender and race scholars, communication and journalism researchers, linguists, and anthropologists will enable a readership to get the first-hand knowledge about an unprecedented social and political change that took place in the Baltic States over the past nineteen years. In addition, the book allows a point of departure into some historical memory clashes, controversies, and moral and political debates over the past and its impact on the present.
This work, a companion to the author's Broadway Sheet Music: A Comprehensive Listing of Published Music from Broadway and Other Stage Shows, 1918 through 1993 (McFarland 1996), provides information about all sheet music published (1843-1918) from all Broadway productions--plus music from local shows, minstrel shows, night club acts, vaudeville acts, touring companies, and shows on the road that never made it to Broadway--and all the major musicals from Chicago.
In The Texas Lowcountry: Slavery and Freedom on the Gulf Coast, 1822–1895, author John R. Lundberg examines slavery and Reconstruction in a region of Texas he terms the lowcountry—an area encompassing the lower reaches of the Brazos and Colorado Rivers and their tributaries as they wend their way toward the Gulf of Mexico through what is today Brazoria, Fort Bend, Matagorda, and Wharton Counties. In the two decades before the Civil War, European immigrants, particularly Germans, poured into Texas, sometimes bringing with them cultural ideals that complicated the story of slavery throughout large swaths of the state. By contrast, 95 percent of the white population of the lowcountry came from other parts of the United States, predominantly the slaveholding states of the American South. By 1861, more than 70 percent of this regional population were enslaved people—the heaviest such concentration west of the Mississippi. These demographics established the Texas Lowcountry as a distinct region in terms of its population and social structure. Part one of The Texas Lowcountry explores the development of the region as a borderland, an area of competing cultures and peoples, between 1822 and 1840. The second part is arranged topically and chronicles the history of the enslavers and the enslaved in the lowcountry between 1840 and 1865. The final section focuses on the experiences of freed people in the region during the Reconstruction era, which ended in the lowcountry in 1895. In closely examining this unique pocket of Texas, Lundberg provides a new and much needed region-specific study of the culture of enslavement and the African American experience.