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This concise literary history of the American Enlightenment captures the varied and conflicting voices of religious and political conviction in the decades when the new nation was formed. Robert Ferguson's trenchant interpretation yields new understanding of this pivotal period for American culture.
"A bibliography of poetry composed in what is now the United States of America and printed in the form of books or pamphlets before 1821"--Provided by publisher.
London, 1820. The British capital is a metropolis that overwhelms dwellers and visitors alike with constant exposure to all kinds of sensory stimulation. Over the next two decades, the city’s tumult will reach new heights: as population expansion places different classes in dangerous proximity and ideas of political and social reform linger in the air, London begins to undergo enormous infrastructure change that will alter it forever. It is the London of this period that editors Roger Parker and Susan Rutherford pinpoint in this book, which chooses one broad musical category—voice—and engages with it through essays on music of the streets, theaters, opera houses, and concert halls; on the raising of voices in religious and sociopolitical contexts; and on the perception of voice in literary works and scientific experiments with acoustics. Emphasizing human subjects, this focus on voice allows the authors to explore the multifaceted issues that shaped London, from the anxiety surrounding the city’s importance in the musical world at large to the changing vocal imaginations that permeated the epoch. Capturing the breadth of sonic stimulations and cultures available—and sometimes unavoidable—to residents at the time, London Voices, 1820–1840 sheds new light on music in Britain and the richness of London culture during this period.
Covering American literature from its pre-contact Indigenous beginnings through the Reconstruction period, the first two volumes of The Broadview Anthology of American Literature represent a substantial reconceiving of the canon of early American literature. Guided by the latest scholarship in American literary studies, and deeply committed to inclusiveness, social responsibility, and rigorous contextualization, the anthology balances representation of widely agreed-upon major works with an emphasis on American literature’s diversity, variety, breadth, and connections with the rest of the Americas. Highlights of Volume A: Beginnings to 1820 • Complete texts of Mary Rowlandson’s captivity narrative and Hannah Webster Foster’s The Coquette • In-depth Contexts sections on such topics as “Slavery and Resistance,” “Rebellions and Revolutions,” and “Print Culture and Popular Literature” • Broader and more extensive coverage of Indigenous oral and visual literature than in competing anthologies • Full author sections in the anthology devoted not only to frequently anthologized figures but also to authors such as Anne Hutchinson, Sor Juana Inés de la Cruz, and Briton Hammon
Sir Joseph Banks was one of the great figures of Georgian England, best known for participating as naturalist in Cook's Endeavour voyage (1768-71), as a patron of science and as the longest-serving President of the Royal Society (1778-1820). This volume brings together all Banks's papers concerning Iceland and the North Atlantic, scattered in repositories in Britain, the United States, Australia and Denmark, and most published here for the first time. A detailed introduction places them in historical context.
How did the US get to its state today? The past will reveal the decisions leaders made and how they affected the people. Some of those decisions have even created ripples that react the modern times. For this history book, the focus will only on from 1820 to 1850. Breeze through those 30 years within a few minutes. Grab a copy now.
This volume is the twelfth to date in a series of works in French or English presenting the epochs and movements of a Comparative History of Literatures in European Languages (Histoire Comparée des Littératures de Langues Européennes). The original intention of the editors was to publish a four-volume history of European literature from 1760-1820, and the first of these volumes, Des Lumières au Romantisme. Genres en Vers, appeared as long ago as 1982. The volumes Genres en Prose and Théâtre are still awaited. In their absence the present volume, Epoche im _berblick, attempts a more comprehensive and rigorous treatment of the period and its historiographical problems than was initially planned, providing the reader with an overview of sixty eventful years of European literary history — years in which German Classicism coincided with the birth, initially in Germany and England, of Romanticism. And at the centre of this turbulent period of European intellectual and literary history stands the French Revolution.
The Derbys of Knowsley Hall have been neglected by historians to an astonishing degree. In domestic political terms, the legacies of Disraeli and his Conservative successors have long obscured their Lancastrian aristocratic predecessors. As far as foreign policy is concerned, twentieth century politics and scholarship have often suggested crude polarities: for example, the idea of 'appeasement' versus Churchillian belligerence has its nineteenth century equivalent in Aberdeen's apparent rivalry with Palmerston. The subtleties of other views, such as those represented by the Derbys, have either been overlooked or misunderstood. In addition, the fact that much crucial archival and editorial work has only been carried out in the last two decades has had a significant impact. Examining a range of topics in domestic and foreign policy, this collection brings a fresh approach to the political history of the nineteenth and early twentieth centuries through a series of innovative essays. It will appeal to those with an interest in the decline of the aristocracy, Victorian high politics and the politics of the regions, as well as the Conservative tradition in foreign policy.
The Dissolution of Character in Late Romanticism studies texts written by contemporary poets, novelists, essayists, journalists, philosophers, phrenologists, sociologists, gossip-mongers and anonymous correspondents.
In the mid-nineteenth century writers such as Hawthorne and Melville produced works of fiction that even today help define American literature. In this work of innovative literary history, Jonathan Arac explains what made this remarkable creativity possible and what it accomplished.