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Peter Sahlins’s brilliant new book reveals the remarkable and understudied “animal moment” in and around 1668 in which authors (including La Fontaine, whose Fables appeared in that year), anatomists, painters, sculptors, and especially the young Louis XIV turned their attention to nonhuman beings. At the center of the Year of the Animal was the Royal Menagerie in the gardens of Versailles, dominated by exotic and graceful birds. In the remarkable unfolding of his original and sophisticated argument, Sahlins shows how the animal bodies of the menagerie and others (such as the dogs and lambs of the first xenotransfusion experiments) were critical to a dramatic rethinking of governance, nature, and the human. The animals of 1668 helped to shift an entire worldview in France — what Sahlins calls Renaissance humanimalism — toward more modern expressions of Classical naturalism and mechanism. In the wake of 1668 came the debasement of animals and the strengthening of human animality, including in Descartes’s animal-machine, highly contested during the Year of the Animal. At the same time, Louis XIV and his intellectual servants used the animals of Versailles to develop and then to transform the symbolic language of French absolutism. Louis XIV came to adopt a model of sovereignty after 1668 where his absolute authority is represented in manifold ways with the bodies of animals and justified by the bestial nature of his human subjects. 1668: The Year of the Animal in France explores and reproduces the king’s animal collections — in printed text, weaving, poetry, and engraving, all seen from a unique interdisciplinary perspective. Sahlins brings the animals of 1668 together and to life as he observes them critically in their native habitats — within the animal palace itself by Louis Le Vau, the paintings and tapestries of Charles Le Brun, the garden installations of André Le Nôtre, the literary work of Charles Perrault and the natural history of his brother Claude, the poetry of Madeleine de Scudéry, the philosophy of René Descartes, the engravings of Sébastien Leclerc, the trans_fusion experiments of Jean Denis, and others. The author joins the non_human and human agents of 1668 — panthers and painters, swans and scientists, weasels and weavers — in a learned and sophisticated treatment that will engage scholars and students of early modern France and Europe and readers broadly interested in the subject of animals in human history.
This biography of Johann Ernst Gerhard (1621-1668) studies of the richly documented life and work of a lesser-known seventeenth-century orientalist, setting them within the broader intellectual, confessional, and institutional contexts of his day.
First to ninth reports, 1870-1883/84, with appendices giving reports on unpublished manuscripts in private collections; Appendices after v. [15a] pt. 10 issued without general title.
The inaugural title in the Correlates of War series from CQ Press, this 2-volume set catalogs every official interstate alliance signed from the Peace of Westphalia in 1648 through the early twenty-first century, ranking it among the most thorough and accessible reviews of formal military treaties ever published. Maps and introductions showcase the effects of alliances on the region or international system in century-specific chapters, while individual narratives and summaries of alliances simultaneously provide basic information, such as dates and member states, as well as essential insights on the conditions that prompted the agreement. Additionally, separate and/or secret articles are highlighted for additional context and interest. Supplementary features of this two-volume set include: A timeline cataloging major events in political and military history Guides listing allegiances by region and by century An alphabetical treaty index Maps illustrating political boundaries across the centuries International Military Alliances is an indispensable resource for any library serving students of law, politics, history, and military science.