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AMERICAN FREEDOM AND JUSTICE VS. THE TYRANNIES OF THE SEVENTEENTH CENTURY The new government in central Europe, called the Confederated Principalities of Europe, was formed by an alliance between Gustavus Adolphus, King of Sweden, and the West Virginians led by Mike Stearns who were transplanted into 17th-century Germany by a mysterious cosmic accident. The new regime is shaky. Outside its borders, the Thirty Years War continues to rage. Within, it is beset by financial crisis as well as the political and social tensions between the democratic ideals of the 20th-century Americans and the aristocracy which continues to rule the roost in the CPE as everywhere in Europe. Worst of all, the CPE has aroused the implacable hostility of Cardinal Richelieu, the effective ruler of France. Richelieu has created the League of Ostend in order to strike at the weakest link in the CPE's armor¾its dependence on the Baltic as the lifeline between Gustav Adolf's Sweden and the rest of his realm. The greatest naval war in European history is about to erupt. Like it or not, Gustavus Adolphus will have to rely on Mike Stearns and the technical wizardry of his obstreperous Americans to save the King of Sweden from ruin. Caught in the conflagration are two American diplomatic missions abroaRebecca Stearns' mission to France and Holland, and the embassy which Mike Stearns sent to King Charles of England headed by his sister Rita and Melissa Mailey. Rebecca finds herself trapped in war-torn Amsterdam; Rita and Melissa, imprisoned in the Tower of London. And much as Mike wants to transport 20th-century values into war-torn 17th-century Europe by Sweet Reason, still he finds comfort in the fact that Julie, who once trained to be an Olympic marksman, still has her rifle . . . At the publisher's request, this title is sold without DRM (Digital Rights Management).
"This is must reading for historians of science and a delight for the interested public. From his access to many primary sources in the Vatican Library and from his broad knowledge of the history of the 17th century, Finocchiaro acquaints readers in an interesting manner with the historical facts of Galileo's trial, its aftermath, and its repercussions. Unlike many other works which present predetermined and, at times, prejudiced judgments, this work provides exhaustive evidence to allow readers to develop their own informed opinion on the subject.”—George V. Coyne, Director, Vatican Astronomical Observatory “The tragic condemnation of Galileo by the Roman Catholic Church in 1633 has become the single most potent symbol of authoritarian opposition to new ideas. Pioneering in its scope, Finocchiaro's book provides a fascinating account of how the trial and its cultural significance have been freshly reconstructed by scholars and polemicists down the ages. With a philosopher's eye for fine distinctions, the author has written an exciting commentary on the successive appearance of new primary sources and their exploitation for apologetic and secular purposes.”—John Hedley Brooke, author of Science and Religion: Some Historical Perspectives "If good history begins with good facts, then Retrying Galileo should be the starting point for all future discussions of the post-trial phase of the Galileo affair. Maurice Finocchiaro's myth-busting documentary history is not only a repository of little-known sources but a pleasure to read as well.”—Ronald L. Numbers, co-editor of When Christianity and Science Meet “Retrying Galileo tells the less well-known half of the Galileo affair: its long and complex history after 1633. Finocchiaro has performed an invaluable service in writing a book that explores how the trial and condemnation of Galileo has been received, debated, and reinterpreted for over three and a half centuries. We are not yet done with this contentious story.”—Paula E. Findlen, Ubaldo Pierotti Professor of Italian History and Director of the Science, Technology and Society Program, Stanford University
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The era between the accession of Henry VIII and the crisis of the English republic in 1659 formed one of the most fertile epochs in world literature. This anthology offers a broad selection of its poetry, and includes a wide range of works by the great poets of the age - notably Sir Philip Sidney, Edmund Sepnser, John Donne, William Shakespeare and John Milton. Poems by less well-known writers also feature prominently - among them significant female poets such as Lady Mary Wroth and Katherine Philips. Compelling and exhilarating, this landmark collection illuminates a time of astonishing innovation, imagination and diversity.
Soldier, secretary, Anglican priest, MP, father of 12, Dean of St Paul's...it's amazing that John Donne had any spare time. But this collection of his poems shows why it is good to give work to a busy person. 'The Poems of John Donne' is an education and an inspiration, with his signature rhetorical style ever-present. Through love letters, songs, epigrams, satires and memorial verse, Donne reveals a breadth of knowledge and depth of understanding of the human spirit that has hardly been surpassed. This collection is perfect for fans of William Shakespeare and Alexander Pope. Born to parents who refused to reject their Roman Catholic faith, John Donne (1572-1631) defied the odds to live a remarkable life. He is best known as a poet, with his works celebrated by many as the greatest of all metaphysical verse. It includes sonnets, love poems, religious poems, epigrams, elegies, songs and satires. Despite his Catholic background, Donne was ordained as an Anglican priest and made Dean of St Paul's Cathedral in 1621. He was a Member of Parliament in 1601 and 1614.
The first volume of a major two-volume study centers on the fortunes of Michel de Montaigne's Essais in both the early-modern (1580-1725) and the modern period (1900-2000). This volume examines how the Essais made Montaigne a patron-author or instant classic in the eyes of his peers.
Sir Philip Sidney’s Arcadia has held a significant place in literary imagination since its inception over 430 years ago. Our four-volume set presents five re-imaginings of the text, as well as two short supplements that attempt to bridge the gap between Sidney’s original and revised versions of the work.