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Alasdair Gray's first book of short stories is a masterful collection that further established him as one of Scotland's most original writers. This edition marks the first appearance by Gray in the Canongate Classics list.
Within just a generation or two of its arrival, print had become a ubiquitous and spirited part of Spain and Portugal’s urban cultures. It serviced an ever-expanding reading public, as well as many and varied practical quotidian needs. Its impact on society was multi-dimensional and complex, and its social reach far broader than the civic or ecclesiastical elites were ever to be entirely comfortable with. This cross-disciplinary volume of essays focuses on the maturing marketplace for print in the first half of the seventeenth century, shedding new light on some important transformations, with authors and publishers seizing opportunities available to them – negotiating the regulatory efforts of the censors, and scrambling to reconfigure their relationship with their readers.
Exceptional Crime in Early Modern Spain accounts for the representation of violent and complex murders, analysing the role of the criminal, its portrayal through rhetorical devices, and its cultural and aesthetic impact. Proteic traits allow for an understanding of how crime is constructed within the parameters of exception, borrowing from pre-existent forms while devising new patterns and categories such as criminography, the “star killer”, the staging of crimes as suicides, serial murders, and the faking of madness. These accounts aim at bewildering and shocking demanding readers through a carefully displayed cult to excessive behaviour. The arranged “economy of death” displayed in murder accounts will set them apart from other exceptional instances, as proven by their long-standing presence in subsequent centuries.
An examinination of the role that Catholic missionary orders played in the dissemination of accounts of Christian martyrdom in Japan. The author offers an overarching portrayal of the writing, printing, and circulation of books of “Japano-martyrology.”
Currently, U.S. community colleges serve nearly half of all students of color in higher education who, for a multitude of reasons, do not continue their education by transferring to a university. For those students who do transfer, often the responsibility for the application process, retention, graduation, and overall success is placed on them rather than their respective institutions. This book aims to provide direction toward the development and maintenance of a transfer receptive culture, which is defined as an institutional commitment by a university to support transfer students of color. A transfer receptive culture explicitly acknowledges the roles of race and racism in the vertical transfer process from a community college to a university and unapologetically centers transfer as a form of equity in the higher education pipeline. The framework is guided by critical race theory in education, which acknowledges the role of white supremacy and its contemporary and historical role in shaping institutions of higher learning.
Magicians, necromancers and astrologers are assiduous characters in the European golden age theatre. This book deals with dramatic characters who act as physiognomists or palm readers in the fictional world and analyses the fictionalisation of physiognomic lore as a practice of divination in early modern Romance theatre from Pietro Aretino and Giordano Bruno to Lope de Vega, Calderón de la Barca and Thomas Corneille.