Download Free 1500 Chinese Design Motifs Book in PDF and EPUB Free Download. You can read online 1500 Chinese Design Motifs and write the review.

These crisp, black-and-white images will lend a distinctive Far Eastern accent to any project. Hundreds of eye-catching images include geometrics, abstracts, optical illusions, plus other intriguing configurations that adapt easily for use as spot illustrations or as repeating patterns. Professional and amateur artists, illustrators, and designers will find this inexpensive treasury a priceless source of royalty-free inspiration.
An incomparable look at how Chinese artists have used mass production to assemble exquisite objects from standardized parts Chinese workers in the third century BC created seven thousand life-sized terracotta soldiers to guard the tomb of the First Emperor. In the eleventh century AD, Chinese builders constructed a pagoda from as many as thirty thousand separately carved wooden pieces. As these examples show, throughout history, Chinese artisans have produced works of art in astonishing quantities, and have done so without sacrificing quality, affordability, or speed of manufacture. In this book, Lothar Ledderose takes us on a remarkable tour of Chinese art and culture to explain how artists used complex systems of mass production to assemble extraordinary objects from standardized parts or modules. He reveals how these systems have deep roots in Chinese thought and reflect characteristically Chinese modes of social organization. Combining invaluable aesthetic and cultural insights with a rich variety of illustrations, Ten Thousand Things make a profound statement about Chinese art and society.
With over 300 different patterns in attractive color schemes, this book is perfect for surface pattern design. Each page uses a starting motif from which four border patterns are generated. These can be put to use for any designs that require a border. Examples include web design, picture frames and architectural friezes. The patterns are geometric in nature and the motifs include variations on all the basic polygons as well as unique patterns created by the author.
Tattoo patterns from multiple cultures around the world. Includes human, animal, and abstract geometric designs.
Take the popular decorating concept of Feng Shui to a whole new level with authentic information on how to create a Chinese aesthetic. Learn how to alleviate clutter and increase the flow of chi, the universal life force; discover ways of integrating Chinese furniture and decorative arts to decorating styles; and stroll through a rich collection of images from homes, museums, and galleries.
This book contains 1,000 geometric tile patterns presented in full color. They can be used for a variety of art, design, and craftwork applications including architectural ornament, fashion design, graphic design, illustration and fine art, jewelry, knitting and needlecraft, logo and trademark creation, package design, pottery and ceramics, quilt patterns, rug and carpets, sculpture and metalwork, textile and clothing patterns, tiles, wallpaper patterns, and web and app design. This is the most comprehensive collection of such patterns and is available now for the first time. Samples from all of the major geometric categories are included. Brief descriptions of each category are provided along with a list of online and book resources. Alternate versions of each pattern are provided to serve as an inspiration for creating your own. Electronic copies of the images are available from the author.
Geometric wallpaper patterns for use in a wide variety of applications. Basic geometric shapes are modified and repeated to create intricate designs for use in web, graphic design and crafts. Ninety-six different patterns are presented in attractive color schemes. Perfect for surface pattern design. Use to create fabrics, quilts, ornament and more.
The next exciting title in the bestselling motif series, 'Pattern Motifs' provides stunning patterns from around the world, and from various historical and cultural periods. They include patterns that have their design source in Ancient Egypt, Greece, Rome, the Celts, Islam, India, Africa, and Aboriginal lands but also the worlds of western folk, Gothic, Arts and Crafts, Art Nouveau and Art Deco. The types of pattern provided include interlaced, basketweave, network patterns, web-like patterns, plaited, twisted, chequer, tartan, diaper, chevron, intersection patterns, Paisley and Arabesque. Author Graham McCallum's fine draughtsmanship makes this large resource of motifs an essential addition to the library of every designer and crafter, whether they are a needleworker, quilter, glass painter or woodworker. All the images are free to be copied and used for further creative work. The detailed index at the back of the book makes the search for the ideal motif quick and easy.
Today, China's classical antiquity is often studied through recovered artifacts, but before this practice became widespread, scholars instead reconstructed the distant past through classical texts and transmitted illustrations. Among the most important illustrated commentaries was the Sanli tu, or Illustrations to the Ritual Classics, whose origins are said to date back to the great commentator Zheng Xuan. Design by the Book, which accompanies an exhibition at Bard Graduate Center Gallery, discusses the history and cultural significance of the Sanli tu in medieval China. The Sanli tu survives in a version produced around 960 by Nie Chongyi, a professor at the court of the Later Zhou (951-960) and Northern Song (960-1127) dynasties. It is now mostly remembered--if at all--for its controversial entries and as a quaint predecessor of the more empirical antiquarian scholarship produced since the mid-eleventh century. But such criticism hides the fact that the book remained a standard resource for more than 150 years, playing a crucial role in the Song dynasty's perception of ancient ritual and construction of a Confucian state cult. Richly illustrated, Design by the Book brings renewed focus to one of China's most fascinating medieval works.
We might think the Egyptians were the masters of building tombs, but no other civilization has devoted more time and resources to underground burial structures than the Chinese. For at least five thousand years, from the fourth millennium B.C.E. to the early twentieth century, the Chinese have been building some of the world’s most elaborate tombs and furnishing them with exquisite objects. It is these objects and the concept of the tomb as a “treasure-trove” that The Art of the Yellow Springs seeks to critique, drawing on recent scholarship to examine memorial sites the way they were meant to be experienced: not as a mere store of individual works, but as a work of art itself. Wu Hung bolsters some of the new trends in Chinese art history that have been challenging the conventional ways of studying funerary art. Examining the interpretative methods themselves that guide the study of memorials, he argues that in order to understand Chinese tombs, one must not necessarily forget the individual works present in them—as the beautiful color plates here will prove—but consider them along with a host of other art-historical concepts. These include notions of visuality, viewership, space, analysis, function, and context. The result is a ground-breaking new assessment that demonstrates the amazing richness of one of the longest-running traditions in the whole of art history.