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No other region in America is so fraught with projected meaning as Appalachia. Many people who have never set foot in Appalachia have very definite ideas about what the region is like. Whether these assumptions originate with movies like Deliverance (1972) and Coal Miner's Daughter (1980), from Robert F. Kennedy's widely publicized Appalachian Tour, or from tales of hiking the Appalachian Trail, chances are these suppositions serve a purpose to the person who holds them. A person's concept of Appalachia may function to reassure them that there remains an "authentic" America untouched by consumerism, to feel a sense of superiority about their lives and regions, or to confirm the notion that cultural differences must be both appreciated and managed. In Selling Appalachia: Popular Fictions, Imagined Geographies, and Imperial Projects, 1878-2003, Emily Satterwhite explores the complex relationships readers have with texts that portray Appalachia and how these varying receptions have created diverse visions of Appalachia in the national imagination. She argues that words themselves not inherently responsible for creating or destroying Appalachian stereotypes, but rather that readers and their interpretations assign those functions to them. Her study traces the changing visions of Appalachia across the decades from the Gilded Age (1865-1895) to the present and includes texts such as John Fox Jr.'s Trail of the Lonesome Pine (1908), Harriet Arnow's Hunter's Horn (1949), and Silas House's Clay's Quilt (2001), charting both the portrayals of Appalachia in fiction and readers' responses to them. Satterwhite's unique approach doesn't just explain how people view Appalachia, it explains why they think that way. This innovative book will be a noteworthy contribution to Appalachian studies, cultural and literary studies, and reception theory.
The Baptist Story is a narrative history of a diverse group of people spanning over four centuries, living among distinct cultures on separate continents, while finding their common identity in Christ and expressing their faith as Baptists.
This authoritative catalogue of the Corcoran Gallery of Art's renowned collection of pre-1945 American paintings will greatly enhance scholarly and public understanding of one of the finest and most important collections of historic American art in the world. Composed of more than 600 objects dating from 1740 to 1945.
Transcribed, edited, and anotated Civil War journal written by Mary Jane Chaduck during the years of Federal invasion, 1862-1865.
For contents, see Author Catalog.
Historical essays mainly prepared by students at Marian College, Fond du Lac, Wisconsin from 1995-2001.
With Freedom's Lawmakers, Eric Foner has assembled the first comprehensive directory of the over 1,500 African Americans who held political office in the South during the Reconstruction era. He has compiled an impressive amount of information about the antebellum status, occupations, property ownership, and military service of these officials -- who range from U.S. congressmen to local justices of the peace and constables. This revised paperback edition also contains new material on forty-five officials who were not included in the first edition.In his Introduction, Foner ably analyzes and interprets the roles of the black American officeholders. Concise biographies, in alphabetical order, trace the life histories of individuals -- many previously unknown -- who played important parts in the politics of the period. This useful and informative volume also includes an index by state, by occupation, by office during Reconstruction, by birth status, and by topic.