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In Best Women’s Erotica of the Year, Volume 5, award-winning editor Rachel Kramer Bussel takes readers on an outrageous journey into the world of female fantasy and desire. These sexy stories offer up wild, hot, and steamy tales from today’s top authors. You’ll be swept away by the sexiest business deal ever, break the rules in a future world where skin-on-skin contact is forbidden, and discover the art of getting off by phone sex. From threesomes to mermaid sex, fetishes, sex parties, and much more, these authors steam up the pages with tales of trysts, love, and lust where nothing is held back. If you’re looking to escape from the everyday and discover what happens when women are ready to get totally outrageous, this book is for you. With new stories by beloved authors including Joanna Angel, Balli Kaur Jaswal, CD Reiss, Sierra Simone, and Sabrina Sol, along with newcomers to the genre, you’ll savor every sizzling page.
Some lines should never be crossed. But sometimes the temptation is too good to resist... Mason Black was everything to me: my father, my provider, my protector. But then one day, he vanished, leaving me lost and alone. I was devastated. Years later, just when I thought I had put the pieces of my life together, my world splintered apart again. Everything I thought I knew about my biological father and Mason's role in my life? Turns out, it was all a lie. Every. Last. Word. Now Mason's back. However, he offers no excuses, no explanations. He just wants me to be what he claims I've always been: his little girl. But the ache inside me won't be denied. The longing I feel isn't one of a little girl who misses her father. No. I need Mason to be more than just a father figure. More than a loving protector. I need him to be my Daddy. ***Brace yourself for a twisty, forbidden romance so deliciously devious, it'll tie you up by your heartstrings and then drag you along for the ride. Like my Quick-and-Dirty Reads, it features a guaranteed melt-your-heart ending. But unlike those shorter stories, this is hardly a light-hearted romp.If you're a fan of very taboo older man/younger woman pairings, broody, protective Daddy figures, and contemporary Gothic vibes, then this book was tailor-made for your Kindle.
This special edition HARDBACK includes both The Wild and The Free plus a small, never published before bonus at the end. The Wild I brought them to the wilderness because we couldn't cope with our reality. The plan was to make a new life that didn't include heartache. No people. No technology. No interference. Just us. A chance to piece together what was broken. But the wilderness is untamed and harsh. Brutal and unforgiving. It doesn't give a damn about your feelings.Tragedy lives there too. No escaping the truths that won't let you go. All you can do is survive where love, no matter how beastly, is the only thing you can truly count on. Confusing. Wrong. Twisted. Beautiful. Sick. Love is wild. And we're going to set it free. *** The Free He took me from the wilderness. I was all alone and death was near. His plan was to heal me and then let me go. A reprieve from my harsh reality. Food. Warmth. Safety. Just us. It's temporary and one day I'll be forced to go home. But I don't I want to go back.I want him to keep me. To tame and love me. Freeing the wild comes with grave consequences. He thinks they'll cage him for being with me. Our love's not right. They won't understand it. Forbidden. Immoral. Perverse. Vile. I don't care what they think. It should only matter to us. We are innocent and beautiful and worthy. Love is wild. And we're going to set it free.
After a year of traveling abroad, my parents finally trap my free-spirit into college. Even worse, my dad's former-stepbrother has a room with my name on it.The only thing I remember about Uncle Willem is his boring button-down shirts and quiet demeanor.Except the rugged man who opens his home to me-filling out his t-shirt better than any person should-is not the man I remember. Standing here drooling over his easy dimpled smile, I wonder if I really looked at him at all.Because Willem is anything but boring and, based on the way his eyes linger on my ripped jeans and thin shirt, he is anything but bored by me.Add in that he's a professor at my college and my major went from 'undecided' to 'him'. He tries to hold back, but I have other plans in mind.College can't start soon enough. I can't wait to misbehave and get sent to the professor's office.One touch. One kiss. Each starts with a simple promise: Just for a little while.
Defy is a smutty, insta-love, insta-lust short novella. Defy is a prequel to Vicious (Sinners of Saint #1). It is recommended, but unnecessary, to read Defy before reading Vicious. My name is Melody Greene, and I have a confession to make. I slept with my student, a senior in high school. Multiple times. I had multiple orgasms. In multiple positions. I slept with my student and I enjoyed it. I slept with my student and I'd do it all over again if I could turn back time. My name is Melody Greene, and I got kicked out of my position as a teacher and did my walk of shame a la Cersei Lannister from the principal's office, minutes after said principal threatened to call the cops on me. My name is Melody Greene, and I did something bad because it made me feel good. Here is why it was totally worth it.
Since its emergence in the seventeenth century as a distinctive cultural system, children's literature has had a culturally inferior status resulting from its existence in a netherworld between the literary system and the educational system. In addition to its official readership—children—it has to be approved of by adults. Writers for children, explains Zohar Shavit, are constrained to respond to these multiple systems of often mutually contradictory demands. Most writers do not try to bypass these constraints, but accept them as a framework for their work. In the most extreme cases an author may ignore one segment of the readership. If the adult reader is ignored, the writer risks rejection, as is the case of popular literature. If the writer utilizes the child as a pseudo addressee in order to appeal to an adult audience, the result can be what Shavit terms an ambivalent work. Shavit analyzes the conventions and the moral aims that have structured children's literature, from the fairy tales collected and reworked by Charles Perrault and the Brothers Grimm—in particular, “Little Red Riding Hood”—through the complex manipulations of Lewis Carroll in Alice's Adventures in Wonderland, to the subversion of the genre's canonical requirements in the chapbooks of the eighteenth century, and in the formulaic Nancy Drew books of the twentieth century. Throughout her study Shavit, explores not only how society has shaped children's literature, but also how society has been reflected in the literary works it produces for its children.
The classic manifesto of the liberated woman, this book explores every facet of a woman's life.
This is a guide to the main developments in the history of British and Irish literature, charting some of the main features of literary language development and highlighting key language topics.