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THU. APR. 10, 2008 – Better frame of mind than yesterday. Today, just confused. Could be aging process. Times when the mind is clear. Other times, it’s a blur. Curious. Other thoughts. Wonder if I’m revealing too much in conversations? Thoughts unending. Useful? Strange, contorted thoughts. Good? Can be. Thinking is free as long as you keep it inside. However, moment you reveal thoughts, the world pounces; you are on the outside looking in. Inner thoughts, wrapped in a cloak of amiability. The way to go. Time passing at work. Depressed. Why? Hard to unearth. The mind hides. Mind and body not in sync; the trouble starts. People acting out for reasons unknown to them; become aggressive as a result. Mind concealing the ideas. The individual disconnected. Underlining feelings building. Explosions. Back to reality. Leaving work soon. Back to the living. What’s is that? Wonder. What will I be to the living one million years from now? Odd thought that goes no where but down into the depths.
This book presents a cognitive stylistic analysis of the writing of Siegfried Sassoon, a First World War poet who has typically been perceived as a poet of protest and irony, but whose work is in fact multi-faceted and complex in theme and shifted in style considerably throughout his lifetime. The author starts from the premise that a more systematic account of Sassoon’s style is possible using the methodology of contemporary stylistics, in particular Cognitive Grammar. Using this as a starting point, he revisits common ideas from Sassoon scholarship and reconfigures them through the lens of cognitive stylistics to provide a fresh perspective on Sassoon's style. This book will be of interest to students and scholars of stylistics, war poetry, twentieth-century literature, and cognitive linguistics.
The popular idea of the First World War is a story of disillusionment and pointless loss. This vision, however, dates from well after the Armistice. In this 2004 book Janet Watson separates out wartime from retrospective accounts and contrasts war as lived experience - for soldiers, women and non-combatants - with war as memory, comparing men's and women's responses and tracing the re-creation of the war experience in later writings. Using a wealth of published and unpublished wartime and retrospective texts, Watson contends that participants tended to construct their experience - lived and remembered - as either work or service. In fact, far from having a united front, many active participants were in fact 'fighting different wars', and this process only continued in the decades following peace. Fighting Different Wars is an interesting, richly textured and multi-layered book which will be compelling reading for all those interested in the First World War.
From his famous war poems to the gentler vision of his prose, Siegfried Sassoon wrote masterfully of war and lost idylls. This work and its complex author are illuminated in Egremont's definitive biography.
'A FINE ENGROSSING, SYMPATHETIC STUDY OF SASSOON' - THE TIMESWith two collections of his verse written during the First World War, Siegfried Sassoon established himself as among the greatest of the war poets. Beyond that, the accounts he left of his service with the Royal Welch Fusiliers on the Western Front, beginning with Memoirs of a Fox-Hunting Man in 1928, rank perhaps as highly as his poetry, and have done much to shape our modern perception of that war. His is, and remains, one of the most significant voices of his generation - and arguably the most eloquent.As an infantry officer, Sassoon's courage won him the Military Cross (and a recommendation for the VC) for rescuing men under fire, while his boldness in action earned him the nickname 'Mad Jack'; he was also wounded several times, once seriously. As the war dragged on, however, he came to see it as a cynical exercise, leading him to write an anti-war letter to The Times, and to tear the ribbon of his MC from his tunic and throw it into the River Mersey. Alarmed, the authorities sent him to a hospital for shell-shocked officers in Scotland, where he came under the care of the leading psychoanalyst Dr W. H. R. Rivers, and met and befriended a young officer of the Manchester Regiment named Wilfred Owen. Although Sassoon returned to active service, his hatred for the war remained, and by the time of the Armistice in 1918 he had declared himself a pacifist.John Stuart Roberts's widely praised biography is a gripping account of a complex man who was at once a product of the establishment and one of its most passionate critics; a war hero and a pacifist who, although a towering literary figure, refused to align himself with any particular movement.Written with a clarity and directness that would have pleased the poet himself, this is a biography that looks beyond the common perception of Sassoon as only a war poet to reveal the man in full. It is a book that any admirer of Siegfried Sassoon, or anyone who wishes to know more about this enigmatic yet brilliant figure, will cherish.'A MAGNIFICENT BOOK... IT'S FIRST RATE IN EVERY DIRECTION AND I CAN'T IMAGINE A BETTER BIOGRAPHY' - RUPERT HART-DAVIS'FULLY RESEARCHED, INTELLIGENT, DETAILED AND READABLE ...LOOKS SEARCHINGLY AT ALL ASPECTS OF THIS HIGHLY COMPLEX, MULTI-TALENTED AND DEEPLY MIXED-UP MAN' - LITERARY REVIEW 'AN IMMENSELY READABLE BIOGRAPHY WHICH IS MADE EVEN MORE MOVING BY HAVING A TRULY TRAGIC SUBJECT' - TIMES LITERARY SUPPLEMENT'ONE OF OUR GREATEST WAR POETS... STUART ROBERTS GIVES A THOUGHTFUL, CONVINCING ACCOUNT' - SUNDAY TIMES'A BENCHMARK BIOGRAPHY - SPLENDID AND SENSITIVE' - COUNTRY LIFE'A MASTERLY ACCOUNT OF SIEGFRIED SASSOON'S LIFE' - THE TABLET
This collection of seven essays, like the carefully linked collection of vignettes within Tim O’Brien’s most popular book The Things They Carried, contains multiple critical and biographical angles with recurring threads of life events, themes, characters, creative techniques, and references to all of O’Brien’s books. Grounded in through research, Herzog’s work illustrates how O’Brien merges his life experiences with his creative production; he rarely misses an opportunity to introduce these critical life events into his writing.
The war memoirs of these two officers with the Royal Welsh Fusiliers have never been out of print since their first publication. Both men won instant and enduring fame with these very different narratives, which made them two of the most influential participants in shaping later attitudes to the war. Graves gave offence in many quarters with his factual inaccuracies and/or slurs on various units of the British Army. Sassoon's nostalgic evocation of his cricketing and fox-hunting background contrast with the detailed narrative of personalities and life in the Battle of the Somme and the Battle of Arras. The thinly disguised names of real fellow officers are unravelled to help illustrate Sassoon's poetry and actions.
One of the leading poets of the First World War, Siegfried Sassoon is best remembered for his angry and compassionate poems, winning him public and critical acclaim. His vivid depictions of the trenches helped expose the stark realities of the front lines, challenging the romanticised notions of heroism that were prevalent at the time. Sassoon was also an accomplished writer of fictionalised autobiographies, which were celebrated for their evocation of English country life and modernist technique. Today, Sassoon’s work remains relevant due to its unflinching portrayal of the psychological and physical demands of war, offering a timeless portrait of the enduring cost of the Great War on both individuals and society at large. The Delphi Poets Series offers readers the works of literature’s finest poets, with superior formatting. For the first time in publishing history, this eBook presents Sassoon’s complete poetical and fictional works, with rare texts, illustrations and the usual Delphi bonus material. (Version 1) * Beautifully illustrated with images relating to Sassoon’s life and works * Concise introduction to his life and poetry * Images of how the poetry books and novels were first printed, giving your eReader a taste of the original texts * Sassoon’s complete poetry has never been offered before — neither in print nor digital publishing * Excellent formatting of the poems * Special chronological and alphabetical contents tables for the poetry * Easily locate the poems you want to read * Includes Sassoon’s complete novels, including both trilogies — first time in digital print * Ordering of texts into chronological order and literary genres CONTENTS: The Life and Poetry of Siegfried Sassoon Brief Introduction: Siegfried Sassoon The Daffodil Murderer (1913) The Old Huntsman and Other Poems (1917) Counter-Attack and Other Poems (1918) Picture-Show (1919) War Poems (1919) Satirical Poems (1926) The Heart’s Journey (1928) Poems by Pinchbeck Lyre (1931) The Road to Ruin (1933) Vigils (1935) Rhymed Ruminations (1940) Sequences (1956) Lenten Illuminations (1959) The Path to Peace (1960) The Poems List of Poems in Chronological Order List of Poems in Alphabetical Order The Sherston Trilogy Memoirs of a Fox-Hunting Man (1928) Memoirs of an Infantry Officer (1930) Sherston’s Progress (1936) The Autobiographical Trilogy The Old Century and Seven More Years (1938) The Weald of Youth (1942) Siegfried’s Journey, 1916-1920 (1945)
The World War I poet Siegfried Sassoon is one of the twentieth century's greatest icons and Jean Moorcroft Wilson is the leading authority on him. In Siegfried Sassoon: The Journey from the Trenches, the second volume of her best-selling, authorized biography, Wilson completes her definitive analysis of his life and works, exploring Sassoon's experiences after the Great War. For many people, Sassoon exists primarily as a First World War poet and bold fighter, who earned the nickname 'Mad Jack' in the trenches and risked Court Martial, possibly the firing squad, with his public protest against the War. Much less is known about his life after the Armistice. Wilson uncovers a series of love affairs with such larger-than-life characters as Queen Victoria's great-grandson, Prince Phillip of Hess, the flamboyant Ivor Novello and the exotic and bejeweled Hon. Stephen Tennant. This period also sees Sassoon establishing close friendships with some of the greatest literary figures of the age, Hardy, Beerbohm, E. M. Forster and T. E.Lawrence among them. Sassoon himself said that most people thought he had died in 1919. But Wilson shows that his poetry is, if anything, more powerful in the second half of his life. Based on a decade of meticulous research and interviews with many who knew Sassoon well, much of the material is published here for the first time. Siegfried Sassoon: The Journey from the Trenches completes a fascinating story that is beautifully told.
What do we have? Nonfiction? Fiction? Philosophy? Who cares! We do have a man of the 20th and 21st centuries attempting to jot down his daily thoughts. We have a mental diary, or, the diary of somebody who is mental; here, here thoughts of the mental (case), rather than thoughts of the actions of the mental (case). It's a diary of a neurotic, and the neurotic is one precisely because he's not a man of action, not a person of physicality, just one whose main exercise is conjecture, speculation, and obsessive questioning. He, I, is a sportsman of his own mind. Writing about the mental grind of being unemployed in an employed world. The job, having it, a must. The means of earning the paycheck; the means of socialization in group rituals. Unemployed and presently stuck in the suburbs existing beyond time - deserted streets, distant shopping malls, emptied homes. The individual isolated and growing out of touch and out of his mind; the mind retreating into the distant past and future.