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-Revolutionnary Method to learn and practice Chopin's Etudes, for intermediate pianists--Méthode révolutionnaire pour apprendre et jouer les Etudes de Chopin-«24 Prétudes after Chopin» are 24 pre-etudes, 24 preparatory studies to those of Chopin, composed to raise the following bet : «To play the "Prétudes" will allow to learn more easily the genuine "Chopin's Etudes".»Les «24 Prétudes d'après Chopin» sont 24 pré-études, 24 études préparatoires à celles de Chopin, composées pour relever le pari suivant: «Jouer les "Prétudes" permettra d'apprendre plus facilement les véritables "Études de Chopin".».Each Etude is reduced while keeping both the musical gesture and the shape of these masterpieces,without adding nor deducting the slightest measure from it.Elles réduisent la difficulté pianistique de chaque Étude tout en conservant le geste musical et la forme, c'est-à-dire en sauvegardant le rythme harmonique de chaque Étude, sans y ajouter ni en retrancher la moindre mesure.
-Revolutionnary Method to learn and practice Chopin's Etudes, for intermediate pianists--Méthode révolutionnaire pour apprendre et jouer les Etudes de Chopin-«24 Prétudes after Chopin» are 24 pre-etudes, 24 preparatory studies to those of Chopin, composed to raise the following bet : «To play the "Prétudes" will allow to learn more easily the genuine "Chopin's Etudes".»Les «24 Prétudes d'après Chopin» sont 24 pré-études, 24 études préparatoires à celles de Chopin, composées pour relever le pari suivant: «Jouer les "Prétudes" permettra d'apprendre plus facilement les véritables "Études de Chopin".».Each Etude is reduced while keeping both the musical gesture and the shape of these masterpieces,without adding nor deducting the slightest measure from it.Elles réduisent la difficulté pianistique de chaque Étude tout en conservant le geste musical et la forme, c'est-à-dire en sauvegardant le rythme harmonique de chaque Étude, sans y ajouter ni en retrancher la moindre mesure.
Marilyn Nonken finds precedent in the works of pianist-composers Liszt, Scriabin and Debussy for spectral attitudes towards the musical experience.
"Bravo to Edel on his excellent presentation of the subject! . . . highly recommended . . . " —ARBA 96 ". . . filled with information for pianists with injured hands and for players and teachers seeking unusual repertoire or ways of developing left-hand technique." —Clavier "Thanks to Edel for cataloging this largely unknown area of piano repertoire and to Indiana University Press for publishing this most welcomed book." —American Music Teacher A descriptive catalog of solos, chamber works, and concertos with piano parts written for one hand, including nearly 1,000 solo compositions for the left hand. Publication data, length, level of difficulty, style, and often brief biographical information about the composer are provided for each piece.
This book charts Messiaen's transformation of birdsong into music and its development into a major work of the twentieth century.