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11th Biennial of Moving Images~ISBN 2-940271-61-5 U.S. $29.00 / Paperback, 8 x 11 in. / 172 pgs / 120 color. ~Item / March / Art
Alexandre Bianchini, Yan Duyvendak, François Locher, Anne Sauser-Hall, Paul Viaccoz, Alexia Walther sont des artistes genevois.
At last, the broader movements of twentieth-century Swiss art--and the individual artists behind them--are tracked through the present day in one standard-setting publication. Swiss Made: Precision and Madness sets the famous Swiss tendency toward precision and order alongside the tendency toward obstinacy and chaos, pairing canonical works with pieces made within the past 40 years. Provocative pairs include Max Bill and John Armleder, Ferdinand Hodler and Urs Lüthi, Alberto Giacometti and Rémy Zaugg, Louis Soutter and Martin Disler, Robert Müller and Sylvie Fleury, Paul Klee and Silvia Bächli, Adolph Wölfli and Ugo Rondinone. Tensions emerge between the focused and the expansive, over everyday life in the Swiss state, and naturally over the mountains. Swiss Made: Precision and Madness is of interest on its own analytic terms, and as an excellent overview of the country's art since 1850.
The intention of the International 06 exhibition, as with its predecessors, is to recognise the specific cultural context in which it is shown: Liverpool is unique in its people, history and built environment, and yet it is also representative of many post-industrial cities. The exhibition will be sensitive to the context of the city - made and seen in Liverpool.

12BIM

Centre pour l'image contemporaine (Saint-Gervais, Geneva, Switzerland)

Published: 2007

Total Pages: 0


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This illustrated textbook accompanies Geneva's 12th Biennial of Moving Images (BIM). Dedicated to film and video, the BIM was the first European biennial of its kind. With Pedro Costa, Robert Morin, Stavros Tornes, Joan Jonas, Johanna Billing, Pierre Huyghe, Martha Rosler, Fiona Tann, David Claerbout, Beat Streuli and others.