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Molly Rourke's son was murdered, and now she wants her own justice: revenge. Molly Rourke's son has been murdered . . . and she knows who's responsible. Now she's taking the law into her own hands. Never underestimate a mother's love. BookShots Lightning-fast stories by James Patterson Novels you can devour in a few hours Impossible to stop reading All original content from James Patterson
Unlike a conventional war waged against a standing army, a "dirty war" is waged against individuals, groups, or ideas considered subversive. Originally associated with Argentina's military regime from 1976-1983, the term has since been applied to neighboring dictatorships during the period. Indeed, it has become a byword for state-sponsored repression anywhere in the world. The first edition of this reference illustrated the concept by describing the regimes of Argentina, Chile (1973-1990), and Uruguay (1973-1985), which tortured, murdered, and disappeared thousands of people in the name of anticommunism while thousands more were driven into exile. The second edition expands the scope to include Bolivia (1971-1982), Brazil (1964-1985), and Paraguay (1954-1989). Includes a chronology, an introductory essay, a bibliography, and over 400 cross-referenced dictionary entries on the countries; guerrilla and political movements; prominent guerrilla, human-rights, military, and political figures; local, regional, and international human-rights organizations; and artistic figures (filmmakers, novelists, and playwrights) whose works attempt to represent or resist the period of repression.--Publisher.
Includes Official canvas of votes (varies slightly) 1878-1943.
The main premise of Philosophical Perspective on Cinema is simple: Can a visual medium such as cinema put in greater perspective diverse aspects of human experience? Films are usually sorted by genres, but by applying metaphysical/existential categories to cinema, the author enables readers to reflect on the nature and essence of existence by making life appear less transparent to itself. Undoubtedly, the connection between sensual reality and philosophical reflection is often glossed over when the emphasis is placed on theoretical abstractions, and not life itself. While this work is a reflection on the philosophy of existence, the author embraces a practical approach to the metaphysical/existential foundation of human existence.
A psychiatrist, a mother, and an expert hitman each race against time in these three fast-paced thrillers from the world's #1 bestselling writer, James Patterson. Dead Man Running: Psychiatrist Randall Beck specializes in PTSD cases -- and his time is limited. Especially when he uncovers the plot to kill a presidential candidate. 113 Minutes: Molly Rourke's son has been murdered -- and she knows who's responsible. Now she's taking the law into her own hands. Never underestimate a mother's love. 13-Minute Murder: Michael Ryan can kill anybody in just minutes -- from the first approach to the clean escape. His skills have served him well, and he has a grand plan: to get out alive and spend his earnings with his beloved wife, Maria. An anonymous client offers Ryan a rich payout to assassinate a target in Harvard Yard. It's exactly the last big job he needs to complete his plan. The precision strike starts perfectly, then somehow explodes into a horrifying spectacle. Ryan has to run and Maria goes missing. Now the world's fastest hit man sets out for one last score: Revenge. And every minute counts.
How to double-cross Hollywood as an artist? This first monograph on British artist Douglas Gordon analyses all of the artist's video projection installations that are based on his appropriations of Hollywood film noir or Hitchcock films, examining Gordon's language works as well. Counter to the usual interpretations of Gordon's work as a dichotomy between good and evil, Double-Cross argues that his work is all about dissemblance, with the dichotomy only one deception among others. It also argues that, with the inaugural separation of the components of sound and image in his work, one of the artist's disguises is that of an author. All the fragments of the artist's work--projections, language works, photography--add up to the production of a criminal author. His final disguise is that of an experimental filmmaker whose subject is not the film noir themes of trust, guilt, fate, and the madness of the double that appear as the content of his work, but the temporality of the spectator's engagement.
Help your students develop critical-viewing skills while they deepen their understanding of world history! Enhances exploration of world history through the study of compelling films.
Post Colonial Identities revisits issues regarding the newer literature within the expansive African heritage of diverse regional and national groupings. It is poised at substantiating the uniformity of Africa in terms of literary and cultural movements, and lending some inter-disciplinary insights on the whole body of literature through twentieth century history.