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The goldfields have been a powerful influence on both Australian and Western Australian history. Gold has driven development in many parts of Australia. A great number of family lives have been shaped by migration to and from the fields. Reminiscences, and family and local histories have produced powerful and oft-repeated narratives. This book moves beyond the oft-told. It tells of Aboriginal history, of people who have ‘always been here, and we always will be here’. Women’s and children’s lives are explored as well as those of prospectors and miners,the settlement of ‘Afghans’ and the story of pastoralism.
Blending architecture, design, and technology, a visual tour through futures past via the objects we have replaced, left behind, and forgotten. So-called extinct objects are those that were imagined but were never in use, or that existed but are now unused—superseded, unfashionable, or simply forgotten. Extinct gathers together an exceptional range of artists, curators, architects, critics, and academics, including Hal Foster, Barry Bergdoll, Deyan Sudjic, Tacita Dean, Emily Orr, Richard Wentworth, and many more. In eighty-five essays, contributors nominate “extinct” objects and address them in a series of short, vivid, sometimes personal accounts, speaking not only of obsolete technologies, but of other ways of thinking, making, and interacting with the world. Extinct is filled with curious, half-remembered objects, each one evoking a future that never came to pass. It is also a visual treat, full of interest and delight.
Picture a former elite athlete, successful chiropractor, and father of five being told that he has a terminal brain tumour. When it happened to Keith Livingstone, he had every excuse to immerse himself into a dark maelstrom of hopelessness. With no known long-term survivors of glioblastoma multiforme at that time and with doctors unable to tell him how to get better, he was getting a death sentence. But he ignored the hopelessness of his situation and got on with the job of living, enjoying himself and making light of the situation. He also studied natural health and traditional medicine to see what he might do—if anything—to help his situation. Slowly and steadily, he has regained his health, with a couple of setbacks along the way. His progress would not have been possible if he had chosen to accept that he had a terminal condition. Join the author as he looks back at his early life, family, friends, and the philosophy that has helped him wage a brave battle staring down a beast.
This collection of essays explores historical, geographical, and cultural factors that contribute to our understanding of places and settings of Australian transient communities. From Gwalia and Kalgoorlie in Western Australia, Charters Towers in Queensland, Broken Hill in New South Wales, and Queenstown in Tasmania, the places provide opportunity to revisit sites of history from the different angles of architecture, landscape theory, social history, and visual arts. They also provide a springboard for thinking through the pressing issues of contemporary Australians and counterparts in other 'post-settler' societies. [Subject: Australian Studies, History]
This collection seeks to explore alternative definitions of bounded identities, facilitating new approaches to spatial and architectural forms. Taking as its starting point the emergence of a new sense of ‘boundary’ emerged from the post-19th century dissolution of large, heterogeneous empires into a mosaic of nation-states in the Islamic world. This new sense of boundaries has not only determined the ways in which we imagine and construct the idea of modern citizenship, but also redefines relationships between the nation, citizenship, cities and architecture. It brings critical perspectives to our understanding of the interrelation between the accumulated flows and the evolving concepts of boundary in predominantly Muslim societies and within the global Muslim diaspora. Essays in this book seeks to investigate how architecture mediates the creation and deployment of boundaries and boundedness that have been devised to define, enable, obstruct, accumulate and/or control flows able to disrupt bounded territories or identities. More generally, the book explores how architecture might be considered as a means to understand the relationship between flows and boundaries and its implication of defining modern self. The essays in this volume collectively address how the construction of self is primarily a spatial event and operated within the crucial nexus of power-knowledge-space. Contributors investigate how architecture mediates the creation and deployment of boundaries and boundedness, how architecture might be considered as a means to understand the relationship between flows and boundaries and its implications for how we define the modern self. Part of the Critical Studies in Architecture of the Middle East series.
Garreth Hoyle is a true crime writer whose destructive love affair with hallucinogenic drugs has sent him searching for ghosts in the unforgiving mallee desert of Western Australia. Heading north through Kalgoorlie, he attempts to score off old friends from his shearing days on Banjawarn Station. His journey takes an unexpected detour when he discovers an abandoned ten-year-old girl and decides to return her to her estranged father in Leonora, instead of alerting authorities. Together they begin the road trip from hell through the scorched heart of the state’s northern goldfields. Love, friendship and hope are often found in the strangest places, but forgiveness is never simple, and the past lies buried just beneath the blood red topsoil. The only question is whether Hoyle should uncover it, or run as fast as his legs can take him. Banjawarn is an unsettling debut from Josh Kemp, winner of the 2021 Dorothy Hewett Award for an Unpublished Manuscript. Echoing Cormac McCarthy’s haunting border trilogy and narrative vernacular that recalls the sparse lyricism of Randolph Stow and Tim Winton, this is a darkly funny novel that earns its place amongst the stable of Australian gothic fiction.
This book will give you lots of laughs most of the time and leave you scratching your head the rest of the time. It is about life in the fishing industry starting with crayfishing then trawling for prawns followed by beach seine fishing. It is about the life of a teenager going from school to fishing then becoming an electronic engineer for NASA and finally going into research in the fishing industry. Along the way he led a life filled with fun and adventure riding out cyclones at sea, also known as hurricanes, got into trouble on several occasions and closely avoided death on at least one occasion. The book follows the fishing industry over half the Australian coastline from Fremantle in Western Australia to Cairns in Queensland and life at the Carnarvon NASA Tracking Station and college then the Orroral Valley Tracking Station nestled in the snowy mountains. This is an autobiography of one who has enjoyed life to it’s fullest and married a wonderful woman. I am sure you will not be disappointed.
Through the decades, Theodore Mann has kept Circle in the Square alive by leaping from the precipice of one hit to another, taking on every task from stoking a dilapidated furnace to directing Tony Award-winning productions. In the process Mann has helped restore the reputation of one of our greatest playwrights, Eugene O'Neill, first with a landmark revival of The Iceman Cometh and then with the American premiere of Long Day's Journey Into Night. Mann's own long journey has been inextricably linked with O'Neill, and he presents here some extremely significant, previously unreported aspects of the O'Neill saga." "Here is Theodore Mann's own account of the theatrical and cultural revolution that is Circle in the Square. If you ever wondered how off-Broadway came to be (and how it ever managed to survive), this is the tale to read."--BOOK JACKET. (Blackwell).