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A revealing look at U.S. imperialism through the lens of visual culture and portraiture In 1898, the United States seized territories overseas, ushering in an era of expansion that was at odds with the nation’s founding promise of freedom and democracy for all. This book draws on portraiture and visual culture to provide fresh perspectives on this crucial yet underappreciated period in history. Taína Caragol and Kate Clarke Lemay tell the story of 1898 by bringing together portraits of U.S. figures who favored overseas expansion, such as William McKinley and Theodore Roosevelt, with those of leading figures who resisted colonization, including Eugenio María de Hostos of Puerto Rico; José Martí of Cuba; Felipe Agoncillo of the Philippines; Padre Jose Bernardo Palomo of Guam; and Queen Lili‘uokalani of Hawai‘i. Throughout the book, Caragol and Lemay also look at landscapes, naval scenes, and ephemera. They consider works of art by important period artists Winslow Homer and Armando Menocal as well as contemporary artists such as Maia Cruz Palileo, Stephanie Syjuco, and Miguel Luciano. Paul A. Kramer’s essay addresses the role of the Smithsonian Institution in supporting imperialism, and texts by Jorge Duany, Theodore S. Gonzalves, Kristin L. Hoganson, Healoha Johnston, and Neil Weare offer critical perspectives by experts with close personal or scholarly relations to the island regions. Beautifully illustrated, 1898: Visual Culture and U.S. Imperialism in the Caribbean and the Pacific challenges us to reconsider the Spanish-American War, the Philippine-American War, and the annexation of Hawai‘i while shedding needed light on the lasting impacts of U.S. imperialism. Published in association with the Smithsonian’s National Portrait Gallery, Washington, DC Exhibition Schedule National Portrait Gallery, Washington, DC April 28, 2023–February 25, 2024
Hindsight is the lowest form of intelligence–except for historians. In this handy collection of Ambeth Ocampo’s “Looking Back” column pieces, the popular historian digs deep and looks back carefully at events, places and important people who make up the country’s history.
First-rate military history, A War of Frontier and Empire retells an often forgotten chapter in America's past, infusing it with commanding contemporary relevance. It has been termed an insurgency, a revolution, a guerrilla war, and a conventional war. As David J. Silbey demonstrates in this taut, compelling history, the 1899 Philippine-American War was in fact all of these. Played out over three distinct conflicts—one fought between the Spanish and the allied United States and Filipino forces; one fought between the United States and the Philippine Army of Liberation; and one fought between occupying American troops and an insurgent alliance of often divided Filipinos—the war marked America's first steps as a global power and produced a wealth of lessons learned and forgotten.
Ambeth Ocampo always makes historical figures come alive, blemishes and all, and with his curious eye, make our heroes very human and not the mythic figures that we want to make of them. [He] makes history enjoyable reading while at the same time makes it anchor us to the past and therefore, and hopefully, prepares us for the future.” – F. Sionil Jose, National Artist for Literature
In this book, besides offering the usual juicy titbits, he looks back not just at our history but also on his life as an historian, this book being written for his 50th birthday. His introduction alone is already worth the price of admission.
The cause of history writing owes Ambeth Ocampo a great deal. By his extraordinary use of a relatively new genre, he has rescued history from the cold, forbidding halls of academe. He has made of history something amusing, entertaining . . . as immediate as a newspaper headline, as relevant as a rapper’s song.”– Carmen Guerrero-Nakpil
In these beguiling essays on what lies beyond the fringes of Philippine recorded history—whether pointing out the laughing carabao on the margins of a centuries-old map, or combing for shards of Ming porcelain on a coral beach—Ocampo reminds us that the endless gathering and joining and breaking apart of apparently 'useless' bits is, after all, what makes us what we are, and connects us with others in their own quest for identity.
Ambeth Ocampo on the inspiration behind this collection of essays: “Chulalongkorn’s elephants are the bronze elephants the King of Siam gave to Singapore and Java as gifts during his travels in 1871. I met the Singapore elephant first as I traced Rizal’s footsteps and found a reference to it in his diary. It was upon meeting next the Jakarta elephant that prompted me to compile this collection of essays that begins and ends with an elephant. More reflective than usual and going beyond Rizal and my 19th-centuray comfort zone, these explorations still carry my trademark irreverent humor.”