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The 1980s was a memorable decade for music. Many of the biggest hits from the era are now regarded as modern standards, played at weddings, parties and on radio stations the world over. Whilst the decade threw up some of the most iconic artists and well-recognised songs in music history, it also produced hundreds of hidden gems; songs which were big hits at the time but have not enjoyed the same level of radio airplay and exposure over the last quarter of a century. 101 Forgotten Pop Hits of the 1980s aims to remedy this and to jog the nation's memory about all those fantastic pop records of the decade that have been criminally sidelined through the passing of time. With twelve number One singles and over eighty further top Ten hits included, this book champions those silver and gold selling records, none of which are obscure and all of which deserve their place in the 1980's Pop Hall of Fame. From sharing cigarettes with Johnny Hates Jazz in the car park of the NEC to appearing on the same bill as Tony Hadley, Nick Parkhouse spent two years meeting and interviewing the artists, performers, musicians, writers and producers that shaped the pop landscape of the decade. 101 Forgotten Pop Hits of the 1980s is the definitive guide to the great music that inspired a generation.
The Totally Awesome 80s! If you can name all the members of Duran Duran, lip synch with perfection to a song by Milli Vanilli, or out-dance Madonna in her “Lucky Star” music video, then this is the perfect book for you! It’s all here, from a-ha to ZZ Top. So, slip on your leg warmers or your “Frankie Says Relax” shirt, open a can of New Coke, and put on a Culture Club CD, it’s time to take a trip back to the Wild and Wacky 80s, the most totally awesome decade of all time! Open up this book and you’re sure to have a gnarly good time!!!
Somewhere in the labyrinth of our memories are films that we have seen and cannot forget but frustratingly may never see again because they have mysteriously vanished from the public domain. They may be hidden away in a film studio's vault, buried beneath the floorboards of a filmmaker's home, imprisoned by some ancient legality, refused release at a director's whim, or simply not optioned by a distributor. This book brings back to life 101 films that are entombed in a cinema cemetery and in so doing unearths a film noir masterpiece, a French classic, a Mastroianni feature comparable to Cinema Paradiso, a pioneering Independent film of the 1950s, a Joan Crawford headliner, an amazing Nicholas Ray experimental feature, Italian comedies by Nichetti, and lost gems by Widerberg, Hitchcock, Lang, Ford, Lubitsch, Litvak, Dmytryk, Kazan, Cacoyannis, Boetticher, Zinnemann, Ray, Huston, and many more luminaries of the silver screen. Though critics may acclaim them, audiences applaud them, and Sundance or Cannes may screen them, no film is guaranteed a general release, and too many disappear into oblivion. This book pays homage to those lost films that deserve to be exhibited beyond the screen of our memories.
Chris Smith tells the fascinating stories behind the most groundbreaking, influential, and often controversial albums ever recorded.
"[Stanley is] as clear-eyed about music as he is crazy in love with it." —Mikael Wood, Los Angeles Times A monumental work of musical history, Yeah! Yeah! Yeah! traces the story of pop music through songs, bands, musical scenes, and styles from Bill Haley and the Comets’ “Rock around the Clock” (1954) to Beyoncé’s first megahit, “Crazy in Love” (2003). Bob Stanley—himself a musician, music critic, and fan—teases out the connections and tensions that animated the pop charts for decades, and ranges across the birth of rock, soul, R&B, punk, hip hop, indie, house, techno, and more. Yeah! Yeah! Yeah! is a vital guide to the rich soundtrack of the second half of the twentieth century and a book as much fun to argue with as to quote.
The ultimate book for anyone who loves pop music and one-hit wonders, 99 Red Balloons profiles and ranks all the greatest musical flashes in the pan. Each chapter spotlights a specific one-hit wonder, including sample lyrics and chart position. Controversial, informative and entertaining, this is a book that no music lover should be without.
"A tale of fun and fear, and love and beer." "Joy and pain, and sunshine and rain." The Market Lads And Me is a humorous story of gritty realism and a fond recollections of a week in the 1980s in the life of an ordinary everyday working-class barrow boy employed at a wholesale fruit & vegetable market in Wigan, near Liverpool, England. Authors Note: The Market Lads and Me is my fond recollections and happy memories of a week in my life in the early 1980s working at Wigan wholesale fruit and vegetable market. The writing is based on real people, real lives, and real events....with a little Tomfoolery! Full of gritty and witty northern patter. A shoot-from-the-hip story about a week in the life of an eighties teenager, All reviews are accepted with thanks. Five stars: Full of gritty and witty northern patter, thoroughly enjoyed the book. Five stars: This is a shoot-from-the-hip story about a week in the life of an eighties teenager, thoroughly enjoyed the read. Five Stars: Fantastic book, a must-read 10/10. Five stars: Good read, worth a look. Front cover logo: Ai Free Publication ® ™ is a UK Registered Trademark. Trade Mark No: UK00003915810. No Ai was used in the writing and publication of this book. QR Code & Trademark supplied and available at aifreepublication.org
From John Philip Sousa to Green Day, from Scott Joplin to Kanye West, from Stephen Foster to Coldplay, The Encyclopedia of Great Popular Song Recordings, Volumes 1 and 2 covers the vast scope of its subject with virtually unprecedented breadth and depth. Approximately 1,000 key song recordings from 1889 to the present are explored in full, unveiling the stories behind the songs, the recordings, the performers, and the songwriters. Beginning the journey in the era of Victorian parlor balladry, brass bands, and ragtime with the advent of the record industry, readers witness the birth of the blues and the dawn of jazz in the 1910s and the emergence of country music on record and the shift from acoustic to electrical recording in the 1920s. The odyssey continues through the Swing Era of the 1930s; rhythm & blues, bluegrass, and bebop in the 1940s; the rock & roll revolution of the 1950s; modern soul, the British invasion, and the folk-rock movement of the 1960s; and finally into the modern era through the musical streams of disco, punk, grunge, hip-hop, and contemporary dance-pop. Sullivan, however, also takes critical detours by extending the coverage to genres neglected in pop music histories, from ethnic and world music, the gospel recording of both black and white artists, and lesser-known traditional folk tunes that reach back hundreds of years. This book is ideal for anyone who truly loves popular music in all of its glorious variety, and anyone wishing to learn more about the roots of virtually all the music we hear today. Popular music fans, as well as scholars of recording history and technology and students of the intersections between music and cultural history will all find this book to be informative and interesting.
This work provides a complete discography of all the performers and groups who hit the charts during the 15 years. To be included, a performer must have had a single on the Billboard Hot 100 or an album on the Top 200. Each listing includes persons (or groups), category (acid rock, soul, Tex/Mex, etc.), singles, and albums.
The Decades of Modern American Playwriting series provides a comprehensive survey and study of the theatre produced in each decade from the 1930s to 2009 in eight volumes. Each volume equips readers with a detailed understanding of the context from which work emerged: an introduction considers life in the decade with a focus on domestic life and conditions, social changes, culture, media, technology, industry and political events; while a chapter on the theatre of the decade offers a wide-ranging and thorough survey of theatres, companies, dramatists, new movements and developments in response to the economic and political conditions of the day. The work of the four most prominent playwrights from the decade receives in-depth analysis and re-evaluation by a team of experts, together with commentary on their subsequent work and legacy. A final section brings together original documents such as interviews with the playwrights and with directors, drafts of play scenes, and other previously unpublished material. The major playwrights and their plays to receive in-depth coverage in this volume include: David Mamet: Edmond (1982), Glengarry Glen Ross (1984), Speed-the-Plow (1988) and Oleanna (1992); David Henry Hwang: Family Devotions (1981), The Sound of a Voice (1983) and M. Butterfly (1988); Maria Irene Fornès: The Danube (1982), Mud (1983) and The Conduct of Life (1985); August Wilson: Ma Rainey's Black Bottom (1984), Joe Turner's Come and Gone (1984) and Fences (1987).