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Russell Brockbank (1913-1979) was best known for his motoring, motor racing and aviation cartoons. His work was published in numerous magazines and journals, including Motor, Punch and Lilliput, and collections of his work appeared in several books, such as The Penguin Brockbank (1963), Brockbank's Grand Prix (1973) and The Best of Brockbank (1975). His association with Punch lasted over 30 years, and he was Art Editor from 1949 to 1960. He provided a weekly cartoon to Motor for over 20 years, often featuring his character 'Major Upset'. Brockbank's cartoons were characterized by a high degree of draftsmanship and he often went to great lengths to ensure that the cars and aircraft in his cartoons were as true-to-life as possible. They are also deliciously funny, so much so that many rate his as one of the top cartoonists from any genre. This book, using material provided by his daughter, would feature 100 of his best cartoons in an inexpensive, landscape-format paperback.
"This enormous selection, which must rank as one of the best cartoon compilations of all time, has been specially selected by Helen Walasek of the Punch Cartoon Library and former curator of the Punch Collection. Leafing through its pages you are transported from the parlors and drawing rooms of the 19th century, with insolent servants and arrogant aristocrats, through the smoggy streets and crowded omnibuses of the cities, to the open fields of the country where "townies" shelter from the rain to the scorn of the locals, and would be fishermen and golfers find frustration." "The First World War brings a brash patriotism that leads to a cynical look at the hedonism of the Twenties, pokes fun at the new suburbanites and celebrates the growth of mass entertainment and travel. With the coming of World War Two all the restrictions, foibles and fears of wartime on the Home Front and in the Armed Forces are reflected in Punch's cartoons. But the fun returns with the post-war boom. Consumerism develops, then it's into the Swinging Sixties - popular music, modern art and youth in rebellion. The excesses of the Eighties are chronicled and Nineties are chronicled too. Mr. Punch's cartoonists were there to observe it all, and yon can too, in the pages of this magnificent tome." --Book Jacket.
Examples of the famous Punch cartoons.
Whether producing strips, social comment in magazines like Punch or Lilliput, savage caricature of allies and enemies, or a daily chronicle of events at home or abroad, little escaped the cartoonists pen during World War II and they encapsulated the great dramas in a way impossible in prose. This book is divided into chapters covering the war year-by-year, each chapter prefaced with a concise introduction that provides a historical framework for the cartoons of that year. Altogether some 300 cartoons, in color and black and white, have been skillfully blended to produce a unique record of World War II.
Includes entries for maps and atlases.