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"First up, a disclaimer. I suspect I am a dead man. I have meagre proof, no framed- up certification, nothing to toss in a court of law as evidence of a rapid departure from the mortal coil. I recall a gun was involved, pressed up against my skull, and a loud explosion followed." Thus begins our narrator in a purgatorial tour through twentieth-century Japanese history, with a ghostly geisha who has seen it all as a guide and a corrupt millionaire as her reluctant companion. Thrown into the milieu are saké, B-29s, Lewis Carroll, Sir Thomas Malory, Melbourne, 'The Wizard of Oz', and a dirigible - along with the allusion that Red Riding Hood might just be involved. ,
A collection of noir, surreal stories, comicbook asides, hardboiled moments, fantasy, dystopia, sci-fi, snapshots of Japanese culture, and the existentialism of contemporary experimental electronic music. This is Bergen's baptismal short story collection, bringing together recent short stories, never-before-seen older material, new comicbook art, and a range of incisive pop-culture articles written about music and Japan from 1999 to 2013. ,
This conference brought together scientists and managers from government, universities, and private organizations to examine the biological diversity and management challenges of the unique "sky island" ecosystems of the mountains of the southwestern U.S. and northwestern Mexico. Session topics included: floristic resources, plant ecology, vertebrates, invertebrates, hydrology and riparian systems, aquatic resources, fire, conservation and management, human uses through time, and visions for the future. Illustrated.
It is time to reassess the work of Geoffrey Blainey, and consider his role in Australian history, politics and public life. Geoffrey Blainey has steered Australian history into the nation's conversation. No one would dispute that he is a courageous public intellectual, a writer of rare grace and a master storyteller. And he has indeed provoked a rare fuss, both public and professional, with some of his comments on Asian immigration and Aboriginal land rights. Blainey has challenged the academic history profession, not only with his ideas but also by his practice. A brilliant student, he looked set for Oxford but chose instead the austere west coast of Tasmania for his postgraduate research. For the next decade he earned a living with his pen. And instead of political history in the traditional academic mould, he wrote corporate histories that dispensed with footnotes. Always probing and speculative, Blainey has dislodged many of the keystones in our understandings of Australia's past. He was one of the first to write about the expansive social history of this land before 1788; he questioned whether Botany Bay was founded primarily as a convict colony; he argued that the Eureka uprising had economic rather than political causes; and he identified sport as a neglected key to the Australian character. His controversial views earned such newspaper headlines as 'Brave Man Set Upon by Thugs for Telling Truth'. In The Fuss That Never Ended a lively and distinguished assembly of fellow historiansandmdash;of various ages, interests and political stancesandmdash;take a fresh look at Blainey's remarkable and sometimes controversial career.