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100 Ultimate 12 Bar Blues Progressions for Piano/Keyboards Catalog Number: ADG176 Author: Andrew D. Gordon Publisher: ADG Productions With this book, I have created 100, 12 Bar Blues progressions in many different Blues styles having elements of Rock, Funk, Country, Jazz, Boogie-Woogie, Gospel and Latin styles. The riffs are in the order that I composed them, giving you the learner an element of surprise as to what the next progression is going to sound like. Each of the 100 progressions have been recorded with the piano part and rhytm tracks immediatedly followed by the rhythm tracks to practice with. The backing tracks will, I am sure, make the music come alive while you practice developing your musical skills. Each progression is based on, generally a 4 measure riff from the book 100 Ultimate Blues Riffs for Piano/Keyboards Volume 2. Following is an example showing you how a riff is used to form a 12 bar Blues progression.
This best selling book, 100 Ultimate Blues Riffs by Andrew Gordon is an exhaustive guide to some of the best musical phrases that make up blues piano/keyboard playing. There are five sections broken down into: Basic Blues riffs R&B influenced Blues riffs Boogie Woogie Rock influenced Blues riffs Gospel influenced Blues riffs The 12 bar Blues progression and the Blues scale are explained. There are two completed songs at the back of the book that shows how to combine many of the riffs to form a song. The London College of Music in the U.K. is currently using examples from the "100 Ultimate Blues Riffs for Piano/Keyboards" in their jazz program as part of their recommended learning materials from grade 3 through grade 8.
100 Ultimate Blues Riffs for Piano/Keyboards, the Beginner Series by musician, educator and world renowned author Andrew D. Gordon is an exhaustive guide to introduce beginner students to the various phrases or “riffs” that make up Blues piano playing, both from a rhythmic and soloing standpoint. Due to the continued success of his more advanced book 100 Ultimate Blues Riffs for Piano/Keyboards Andrew decided to author a similar type of book for beginner students. This book is ideal for the beginner to intermediate music student with most of the examples notated in the easier keys. Besides learning how to play Blues riffs the book is a useful tool for sight reading exercises with many different left and right hand rhythms. The 12 bar Blues progression and the Blues scale, in Andrew’s opinion, the two most important aspects of playing the Blues is explained in detail as well as “straight” and “swing” rhythms. There are five sections to the riffs in the book, section 1 contains basic Blues riffs, section 2 contains Rhythm & Blues influenced riffs, section 3 contains Boogie Woogie riffs, section 4 contains Rock influenced Blues riffs and section 5 contains Gospel influenced Blues riffs. Included with this book is are audio files that contains all the riffs, recorded twice: first, piano with bass and drums and second just bass & drums so you can play-a-long.
12 Bar Blues Bible by Andrew D. Gordon is a thoroughly groovy compendium of over 50 12-bar riffs that span the full range of Blues styles: (blues, jazz-blues, minor-blues, funky-blues, country-blues, rock-blues, Latin-blues, gospel-blues). Each riff is accompanied by a demonstration audio files. There is a host of stylistic detail to help you capture the right grooves - before you know it you'll be jamming and improvising your very own Blues solos! The latter part of the book contains a chapter on the "Basics Of Blues Improvisation" for anyone who is just starting out in the world of Improvising using the Blues as a starting point. There are seven jam - along tracks, each about three minutes in length so that you may try out examples in the book or your own improvisational ideas along with a rhythm section of organ, bass and drums.
Due to the high demand of two of Andrew D. Gordon's blues piano/keyboard books, 100 Ultimate Blues Riffs and the 12 Bar Blues Bible, he has adapted examples from the two books along with new examples into a blues organ book and Ultimate Blues Organ Riffs is the result. There is an increased interest in playing the organ these days as many keyboard players are adding organ modules, organs, software etc., to their array of instruments. This book consists of 96 riffs, in many different keys, and covers a wide range of blues organ styles including Blues, Funk, Gospel, Jazz & Rock. The music notation consists of the right and left hand parts as well as a bass line. Although primarily written and recorded with the organ in mind, pianists and keyboard players will also find the material in this book very useful. All the 96 examples have been recorded twice, the first time with the organ right and left hand parts, guitar rhythm, bass and drums. The second time, has the rhythm guitar part, bass and drums so that the keyboard player can practice along with the rhythm tracks.
Outta Sight Funk and R&B Riffs for Piano/Keyboards by Andrew D. Gordon is designed to help piano/keyboard players improve their playing technique with a wide range of different Funk & R&B riffs and grooves. While living in London during my early 20’s I had the opportunity of developing my Funk & R&B skills by playing or jamming with musicians of mainly African & Jamaican descent 3 to 4 times a week. We would jam for hours on end including doing gigs to the early hours of the morning. From this experience it is my feeling that it is important to play and learn from other musicians, however, if one is unable to do so then incorporating this product into your practicing routine is the next best thing. By using this book your Funk/R&B keyboard playing will definitely improve. What is Funk Music Funk is an Afro American musical style originated by James Brown and later Sly and the Family Stone emphasizing the rhythm and putting melody and harmony in the background. Funk often consists of a complex groove where every instrument is playing a different rhythmic part fitting together like a jigsaw puzzle. Entire songs are written without any or minimal chord changes where one or two riffs form the basis of the song as represented by the examples in this book. One of the most distinctive features of funk music is the role of the bass line as a foundation with melodic bass lines at the centerpiece of a funk tune. The left hand parts in this book capture both the rhythmic and melodic essence of funk bass while the right hand parts capture the percussive syncopated rhythms of funk music similar to what a guitarist may play. Funk music uses the same type of extended chords as in jazz, including minor chords with added sevenths, ninths and elevenths, or dominant seventh, ninth, eleventh, and thirteenth chords. Each of the 55 examples has been recorded three times: 1. The left and right hand parts are played through twice with drums & percussion, guitars and keyboards at the regular tempo. 2. Rhythm tracks at the regular tempo of guitar, bass, drums & percussion to practice the keyboard parts along with. 3. Slowed down track of the left & right keyboard parts with the drums so that you can precisely hear what the keyboard parts are playing. For musicians/students who would like extended 2 minute Play A Long tracks for each of the 55 examples ADG Productions offer downloadable mp3 files or MIDI files.
Andrew D. Gordon has created 30; 12bar blues play-a-long backing tracks in various Blues styles, keys and tempos such as: Funky Blues, Boogie Blues, Jazz Blues, Minor Blues, Country Blues, Latin Blues, Old Time Jazz Blues, Jazz Swing Blues, Classic Blues Rock, Soulful Blues, Slow Blues and many more. Each of the 30 play-a-long tracks has been recorded with 12 choruses of the 12 bar blues progression giving you the opportunity practice soloing techniques totaling over 3 hours of music. Each of the 30 Blues styles contains a solo improvisational melody line, 12 measures in length, designed for the beginner student in mind as a starting point to create your own improvisational solos. Each of the 30 Blues tracks have been recorded, first with the solo playing along with the rhythm backing tracks of keyboards, guitar, bass and drums and immediately following, is the play-a-long backing track that cycles through the 12 bar blues progression 12 times, generally between 5-8 minutes in length, giving you plenty of time to practice. Blues is the basis of many forms of music and these tracks have been specifically created to include styles such as: Jazz, Funk, Folk, Country, Latin, Rock, Gospel, Pop, Boogie, giving you a well-rounded selection of musical styles based on the Blues.
Andrew D. Gordon, world renowned music educator, author of over 60 music educational products, has previously written numerous books on funk keyboard styles such as: “60 Of The Funkiest Keyboard Riffs Known To Mankind”, “Funky Organ Grooves”, “Outta Sight Funk & R&B Riffs For Piano/Keyboards” which have been well received by students, teachers and musicians all over the world. As playing funk styles is a passion of Andrew’s, he has written this instructional book “100 Ultimate Soul, Funk and R&B Grooves for Organ” based on the influences of the great Funk, Soul and R&B artists such as: James Brown, Herbie Hancock, The Crusaders, Average White Band, Marvin Gaye, Miles Davis, Stevie Wonder, Parliament, Ramsey Lewis, Booker T and The MG’s, MFSB, Billy Preston etc. Besides the afore-mentioned styles Andrew has also added a few grooves that are Afro-Caribbean such as: Latin, Reggae and Calypso. Each of the 100 grooves have been recorded with the organ part playing along with a rhythm section of guitar, bass, drums and in many of the grooves, percussion. There is also a three minute Play-A-Long track for each of the 100 grooves minus the keyboard part so that you can practice along with the rhythm tracks adding up to over 5 hours of Play-A-Long tracks.
It has been over 20 years since I released the first volume of “100 Ultimate Blues Riffs for Piano/Keyboards” in 1996, my most popular selling book. One of the constants has been the continued popularity of my Blues music instructional books for not only piano/keyboards but also Saxophone, Flute and Guitar. With developments in music software, faster internet download speeds for downloading mp3 audio files, (over 5 hours of downloadable audio backing tracks for this book) I felt it was time to author a 2nd. volume that uses newer software for improved sound quality, . Also, it is the 50th. anniversary since I started to learn to play Blues piano in 1968. I remember the wonderful feeling I had when I started to learn from the first two Blues piano books I bought from a music shop along the Charing Cross Road in London, I still have both books “Just Blues” a compilation of Blues, Jazz and Boogie-Woogie songs and “How To Play Blues Piano” by Junior Mance. I have again created 100 Blues riffs with many of them having elements of Rock, Funk, Country, Jazz, Boogie-Woogie, Gospel and Latin styles. The riffs are in the order that I composed them, giving you the learner an element of surprise as to what the next riff is going to sound like. Each of the 100 riffs have been recorded twice, the 1st. time, the piano part with a rhythm backing track and the 2nd. time a rhythm backing track to practice playing along with. I have also created a separate play-a-long track that consists of 10 choruses of the 12 Bar Blues progression. I would hope that you will use each riff to build your own Blues “song” through the 12 Bar Blues progression.
The Bluesier Side of Jazz by Andrew D. Gordon was inspired by the piano students he teaches at The Cornel School Of Contemporary Music at Shepherd University in Los Angeles. As with many students that come from a classical background (including himself) it is a difficult transition to learn to play Blues & Jazz. When a musician improvises they usually play a variety of riffs or phrases that they have developed and learnt over a period of time and can access these phrases instantaneously whatever key they are playing in to create a seamless improvised solo from the phrases they have learnt. Andrew's idea for this book is to create phrases or riffs over two measures of various Blues progressions. He sub-divided each of the 12 Bar Blues progressions used in this book (the chord progression for Watermelon Man is a 16 measure progression) into six sections (two measures each) and within each of the six sections created four different phrases or riffs so that the student has a choice of four different phrases to play over every two measures. They can then create a solo based on which phrase they choose for each two measures. By breaking down these phrases to two measures each, he has found that the students have an easier time of learning to improvise than by trying to transcribe a whole solo from an audio recording or leaving them to their own devices in trying to play a solo based on the Blues scale or other related scales.