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I'm the author of 80 Proof Poems. This second book is a little different than my first. In 80 Proof Poems I had four distinct chapters. In this book I pretty much just live streamed my North Georgia, redneck, conservatarian brain into 100 poems.It ranges from politics to sex, from religion to drinking and the list goes on. All riddled with humor, truth, stupidity and conservatism with a splash of libertarianism. It doesn't contain the "F" word because my mama's gonna read it and it doesn't contain the "G D" word because I've never taken my first father's name in vain like that "I'm not a douche bag". As you take the tour of my brain a lot of the other "bad words" are there..........well, because they're just words. STICKS AND STONES MIGHT BREAK MY BONES BUT WORDS SHALL NEVER HURT ME Buy it. You'll enjoy it. Much love, GRP
Selected poems from a Nobel laureate Seamus Heaney had the idea to make a personal selection of poems from across the entire arc of his writing life, a collection small yet comprehensive enough to serve as an introduction for all comers. He never managed to do this himself, but now, finally, the project has been returned to, resulting in an intimate gathering of poems chosen and introduced by the Heaney family. No other selection of Heaney’s poems exists that has such a broad range, drawing from the first to the last of his prizewinning collections. In 100 Poems, readers will enjoy the most loved and celebrated poems, and will discover new favorites. It is a singular and welcoming anthology, reaching far and wide, for now and for years to come.
“Jane Kenyon had a virtually faultless ear. She was an exquisite master of the art of poetry.” —Wendell Berry Published twenty-five years after her untimely death, The Best Poems of Jane Kenyon presents the essential work of one of America’s most cherished poets—celebrated for her tenacity, spirit, and grace. In their inquisitive explorations and direct language, Jane Kenyon’s poems disclose a quiet certainty in the natural world and a lifelong dialogue with her faith and her questioning of it. As a crucial aspect of these beloved poems of companionship, she confronts her struggle with severe depression on its own stark terms. Selected by Kenyon’s husband, Donald Hall, just before his death in 2018, The Best Poems of Jane Kenyon collects work from across a life and career that will be, as she writes in one poem, “simply lasting.”
Never afraid to shed the pretense of academic poetry, never shy of letting the power of an image lie in unadorned language, Mary Oliver offers us poems of arresting beauty that reflect on the power of love and the great gifts of the natural world. Inspired by the familiar lines from William Wordsworth, "To me the meanest flower that blows can give / Thoughts that do often lie too deep for tears," she uncovers the evidence presented to us daily by nature, in rivers and stones, willows and field corn, the mockingbird's "embellishments," or the last hours of darkness.
In this unique poetry anthology, 100 grown men - bestselling authors, poets laureate, actors, producers and other prominent figures from the arts, sciences and politics, share the poems that have moved them to tears.
One hundred of the most evocative modern poems on joy, selected by an award-winning contemporary poet "Bursting with energy and surprising locutions. . . . Even the most familiar poets seem somehow new within the context of Joy."--David Skeel, Wall Street Journal"Wiman takes readers through the ostensible ordinariness of life and reveals the extraordinary."--Adrianna Smith, The Atlantic Christian Wiman, a poet known for his meditations on mortality, has long been fascinated by joy and by its relative absence in modern literature. Why is joy so resistant to language? How has it become so suspect in our times? Manipulated by advertisers, religious leaders, and politicians, joy can seem disquieting, even offensive. How does one speak of joy amid such ubiquitous injustice and suffering in the world? In this revelatory anthology, Wiman takes readers on a profound and surprising journey through some of the most underexplored terrain in contemporary life. Rather than define joy for readers, he wants them to experience it. Ranging from Emily Dickinson to Mahmoud Darwish and from Sylvia Plath to Wendell Berry, he brings together diverse and provocative works as a kind of counter to the old, modernist maxim "light writes white"--no agony, no art. His rich selections awaken us to the essential role joy plays in human life.
"We wait for baseball all winter long," Bill Littlefield wrote in Boston Magazine a decade ago, "or rather, we remember it and anticipate it at the same time. We re-create what we have known and we imagine what we are going to do next. Maybe that's what poets do, too." Poetry and baseball are occasions for well-put passion and expressive pondering, and just as passionate attention transforms the prose of everyday life into poetry, it also transforms this game we write about, play, or watch. Editors Brooke Horvath and Tim Wiles unite their own passion for baseball and poetry in this collection, Line Drives: 100 Contemporary Baseball Poems, providing a forum for ninety-two poets. Line after line, like baseball itself game after game and season after season, these poems manage to make the old and the familiar new and surprising. The poems in these pages invite interrogation, and the reader--like the true baseball fan--must be willing to play the game, for these poems are fun, fresh, angry, nostalgic, meditative, and meant to be read aloud. They are keen on taking us deeply into baseball as sport and intent on offering countless metaphors for exploring history, religion, love, family, and self-identity. Each poem delivers images of pure beauty as the poets speak of murder and ghost runners and old ball gloves, of baseball as a tie that binds families--and indeed the nation--together, of the game as a stage upon which no-nonsense grit and skill are routinely displayed, and of the delight experienced in being one amid a mindlessly happy crowd. This book is true to the game's long season and to the lives of those the game engages.
Susceptible to Light, by Chelan Harkin, is a collection of inspired poetry that is mystical and ecstatic in nature--mystical defined as anything having to do with opening the heart to light and ecstatic having to do with anything expressed from this place. Susceptible to Light is here to remind you of your joy, to assist you in reconsidering ways of relating to your life that better serve to open your heart, to deconstruct anything about God that doesn't feel close, intimate, authentic, and warm, and to remind your soul to break the surface and take a breath. Rumi says, "What was said to the rose that made it open was said to me here in my chest." May this collection help you feel a taste of that sweet openness. Hafiz says, "God and I have become like two giant fat people living in a tiny boat. We keep bumping into each other and laughing." May this collection help you feel the possibility of that kind of laughter. Eric Weiner, NY Times Bestselling Author of "The Geography of Bliss" says of Chelan's work: "These pages bear witness to a beautifully reckless and vulnerable love. Susceptible to Light shares the ineffable, all-consuming love of a Rumi or Hafiz, but situated in the here-and-now, amidst our dirty dishes and carpools. Do yourself a favor and savor these poems. Make yourself susceptible to their light." Alfred K. LaMotte, author of 'Wounded Bud' says of Chelan's work: "So much of today's 'spiritual poetry' is not poetry at all, but pedagogy, full of do's and don'ts. Chelan is a true spiritual poet because hers is not the voice of instruction but the voice of holy bewilderment. If she teaches us, she teaches us to dance. She teaches us the taste of what comes out of the grape when it gets crushed. All your tears will find sisters in her poems, and all your laughter will find a home in her belly. Her poems take us to the deepest, darkest loam, where lightning goes."
100 Proof Isn't for the Fainthearted is my first personal collection of poetry. This piece exposes the emotions from the deepest parts within us in order to face our pain and heartbreak head on. I think we are all a little sad in our own way, and I believe the only way to heal is to feel everything all over again. This collection allows readers to connect with all the locked-up feelings hiding in the corners of our brokenness. We all deserve some healing. And some happy.
Winner of the 2016 Whiting Award One of Publishers Weekly's "Most Anticipated Books of Spring 2016" One of Lit Hub's "10 must-read poetry collections for April" “Reading Vuong is like watching a fish move: he manages the varied currents of English with muscled intuition. His poems are by turns graceful and wonderstruck. His lines are both long and short, his pose narrative and lyric, his diction formal and insouciant. From the outside, Vuong has fashioned a poetry of inclusion.”—The New Yorker "Night Sky with Exit Wounds establishes Vuong as a fierce new talent to be reckoned with...This book is a masterpiece that captures, with elegance, the raw sorrows and joys of human existence."—Buzzfeed's "Most Exciting New Books of 2016" "This original, sprightly wordsmith of tumbling pulsing phrases pushes poetry to a new level...A stunning introduction to a young poet who writes with both assurance and vulnerability. Visceral, tender and lyrical, fleet and agile, these poems unflinchingly face the legacies of violence and cultural displacement but they also assume a position of wonder before the world.”—2016 Whiting Award citation "Night Sky with Exit Wounds is the kind of book that soon becomes worn with love. You will want to crease every page to come back to it, to underline every other line because each word resonates with power."—LitHub "Vuong’s powerful voice explores passion, violence, history, identity—all with a tremendous humanity."—Slate “In his impressive debut collection, Vuong, a 2014 Ruth Lilly fellow, writes beauty into—and culls from—individual, familial, and historical traumas. Vuong exists as both observer and observed throughout the book as he explores deeply personal themes such as poverty, depression, queer sexuality, domestic abuse, and the various forms of violence inflicted on his family during the Vietnam War. Poems float and strike in equal measure as the poet strives to transform pain into clarity. Managing this balance becomes the crux of the collection, as when he writes, ‘Your father is only your father/ until one of you forgets. Like how the spine/ won’t remember its wings/ no matter how many times our knees/ kiss the pavement.’”—Publishers Weekly "What a treasure [Ocean Vuong] is to us. What a perfume he's crushed and rendered of his heart and soul. What a gift this book is."—Li-Young Lee Torso of Air Suppose you do change your life. & the body is more than a portion of night—sealed with bruises. Suppose you woke & found your shadow replaced by a black wolf. The boy, beautiful & gone. So you take the knife to the wall instead. You carve & carve until a coin of light appears & you get to look in, at last, on happiness. The eye staring back from the other side— waiting. Born in Saigon, Vietnam, Ocean Vuong attended Brooklyn College. He is the author of two chapbooks as well as a full-length collection, Night Sky with Exit Wounds. A 2014 Ruth Lilly Fellow and winner of the 2016 Whiting Award, Ocean Vuong lives in New York City, New York.