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Presented in a beautiful gift format, this engaging book aims to introduce to a general audience the National Trust's vast collection of paintings through a selection of 100 important examples from the 14th to the 20th centuries. Paintings displayed in properties now cared for by the National Trust across England, Wales and Northern Ireland amount to one of the finest collections of historic fine art in the world. Indeed, many National Trust houses should perhaps be considered miniature 'National Galleries' for their counties as they display works by some of the most renowned European artists of all time including Titian, El Greco, Holbein, Rubens, van Dyck, Rembrandt, Velázquez, Gainsborough, Reynolds, Canaletto, Hogarth, Stubbs, Angelica Kauffman, Edward Burne-Jones, James Tissot, Max Ernst, Vanessa Bell, Barbara Hepworth and Stanley Spencer, to name but a few. Selected by National Trust curators from over 13,000 works, the 100 paintings showcased in this book are arranged chronologically, each accompanied by an illuminating, easy-to-read caption. The book ends with a handy glossary of terms and a list of National Trust properties that house important paintings.
Presented in a beautiful gift format and filled with a wealth of new photography, this engaging book aims to introduce to a general audience the National Trust's vast collections - a treasure chest of history. Arranged chronologically, starting with Roman sculpture and ending with 20th-century design, it focuses on museum-quality objects as well as important examples of decorative arts, furniture, textiles, books and items with fascinating stories behind them. Selected by the National Trust's curators from more than 1.5 million objects in its collections, the featured highlights include an ancient-Egyptian obelisk; Cardinal Wolsey's purse; the first English globe; one of the earliest surviving sofas; an incredible 18th-century dolls' house; an elephant automaton; a tent made for a sultan; a dress made of beetle-wing cases; hand-written manuscripts by Beatrix Potter and Virginia Woolf; Rodin's bust of George Bernard Shaw; rare, early colour photographs of the Sutton Hoo discovery; a sculpture by Barbara Hepworth and paintings by Holbein, Rubens, van Dyck, Rembrandt, Velázquez, Reynolds, Stubbs, Burne-Jones, Monet and Sargent. Each featured object is accompanied by an illuminating, easy-to-read caption, a timeline of key moments in the Trust's history and a list of properties housing important collections items appear at the end.
Brings together research on the introduction of domestic technologies into country houses and their estates.
Accompanying the first exhibition devoted to the subject, 'William Blake in Sussex' considers the collective significance of the English county to the life and work of the the celebrated artist and writer. 0The authors will examine the relationships formed by Blake in Sussex, particularly with the poet William Hayley, the sculptor John Flaxman, the 3rd Earl of Egremont at Petworth House and his estranged wife Elizabeth Ilive, who commissioned two of the three Blakes now in Petworth. Blake?s work for Hayley, often dismissed as illustrative and decorative, will be reappraised, and other projects he worked on in Sussex will be celebrated, including extraordinary biblical illustrations.0 0Exhibition: Petworth House, UK (13.01.-25.03.2018).
A glorious celebration of nature and the simple pleasures of walking. This pocket-sized book has a perfect country walk for every time of year. The 100 walks show you the highlights of every season, from the beautiful bluebell woods of spring and the wildflower meadows of summer to the spectacular colours of autumn and the stark grandeur of winter. The routes cover all of Britain (including Scotland) and they’re all easy or moderate in their difficulty – ideal for relaxed strolls and families. As well a map and comprehensive directions, each walk has information about other fun activities in the area and nearby cafes and restaurants.
This book sets a new standard as a work of reference. It covers British and Irish art in public collections from the beginning of the sixteenth century to the end of the nineteenth, and it encompasses nearly 9,000 painters and 90,000 paintings in more than 1,700 separate collections. The book includes as well pictures that are now lost, some as a consequence of the Second World War and others because of de-accessioning, mostly from 1950 to about 1975 when Victorian art was out of fashion. By listing many tens of thousands of previously unpublished works, including around 13,000 which do not yet have any form of attribution, this book becomes a unique and indispensable work of reference, one that will transform the study of British and Irish painting.
Bridging the fields of conservation, art history, and museum curating, this volume contains the principal papers from an international symposium titled "Historical Painting Techniques, Materials, and Studio Practice" at the University of Leiden in Amsterdam, Netherlands, from June 26 to 29, 1995. The symposium—designed for art historians, conservators, conservation scientists, and museum curators worldwide—was organized by the Department of Art History at the University of Leiden and the Art History Department of the Central Research Laboratory for Objects of Art and Science in Amsterdam. Twenty-five contributors representing museums and conservation institutions throughout the world provide recent research on historical painting techniques, including wall painting and polychrome sculpture. Topics cover the latest art historical research and scientific analyses of original techniques and materials, as well as historical sources, such as medieval treatises and descriptions of painting techniques in historical literature. Chapters include the painting methods of Rembrandt and Vermeer, Dutch 17th-century landscape painting, wall paintings in English churches, Chinese paintings on paper and canvas, and Tibetan thangkas. Color plates and black-and-white photographs illustrate works from the Middle Ages to the 20th century.
This beautifully illustrated work brings together more than one hundred objects from the J. Paul Getty Museum’s collection of European decorative arts. Included here is a generous selection of French and Italian furniture from the mid-sixteenth to the early nineteenth century. Masterpieces by André-Charles Boulle, Bernard (II) van Risenburgh, and others reveal the virtuoso craftsmanship that makes these objects such compelling examples of the furniture maker’s art. Many of the Museum’s finest pieces of porcelain, glass, and tin-glazed earthenware are also represented. Tapestries from Gobelins and Beauvais, bronze firedogs from Fontainebleau, and a lathe-turned ivory goblet of astonishing complexity from Saxony are among the other highlights of this handsome volume.
This captivating book, fully revised and updated and featuring more NT houses than ever before, is a guide to some of the greatest architectural treasures of Britain, encompassing both interior and exterior design. This new edition is fully revised and updated and includes entries for new properties including: Acorn Bank, Claife Viewing Station, Cushendun, Cwmdu, Fen Cottage, The Firs (birthplace of Edward Elgar), Hawker's Hut, Lizard Wireless Station, Totternhoe Knolls and Trelissick. The houses covered include spectacular mansions such as Petworth House and Waddesdon Manor, and more lowly dwellings such as the Birmingham Back to Backs and estate villages like Blaise Hamlet, near Bristol. In addition to houses, the book also covers fascinating buildings as diverse as churches, windmills, dovecotes, castles, follies, barns and even pubs. The book also acts as an overview of the country's architectural history, with every period covered, from the medieval stronghold of Bodiam Castle to the clean-lined Modernism of The Homewood. Teeming with stories of the people who lived and worked in these buildings: wealthy collectors (Charles Wade at Snowshill), captains of industry (William Armstrong at Cragside), prime ministers (Winston Churchill at Chartwell) and pop stars (John Lennon at Mendips). Written in evocative, imaginative prose and illustrated with glorious images from the National Trust's photographic library, this book is an essential guide to the built heritage of England, Wales and Northern Ireland.
Catalog of an exhibition held at the Whitney Museum of American Art, New York, Oct. 30, 2015-Mar. 7, 2016; Modern Art Museum of Fort Worth, Apr. 17-Sept. 4, 2016; and the de Young, San Francisco, Nov. 5, 2016-Feb. 26, 2017.