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100 Hymns for Cello and Guitar is a collection of all-time favorite hymns arranged for cello solo with suggested written chordal accompaniment. Fingerstyle guitar and strum styles are indicated on each solo and capo chords are presented where appropriate. Other chordal instrumentalists can also use the written material. The repertoire spans centuries and represents a wonderful assortment of solos which may be used as preludes or offertories throughout the various seasons in the church year.
100 Gospel Songs and Hymns for Cello and Guitar is a comprehensive collection of all-time favorite gospel hymns arranged for cello solo with suggested written chordal accompaniment. Fingerstyle guitar and strum styles are indicated on each solo. Other chordal instrumentalists can also use the written material and accompany the cello soloist. These treasured songs are ideal for any worship service or gathering.
Through the centuries, the Christmas season has inspired composers, poets, lyricists and hymn writers to apply their craft in devotion to this event. This book presents 100 arrangements of favorite Christmas carols and advent hymns for cello solo with guitar accompaniment. Suggested chordal accompaniment is included for each solo so that any chordal instrument can accompany the cello. Where appropriate, capo chords are shown.The author has also indicated whether the guitarist should use fingerstyle or strum accompaniment. The music in this book spans centuries and represents a wonderful assortment of solos which may be used as preludes or offertories throughout the various seasons in the church year.
100 Gospel Songs and Hymns for Violin and Guitar is a comprehensive collection of all-time favorite gospel hymns arranged for violin solo with suggested written chordal accompaniment. Fingerstyle guitar and strum styles are indicated on each solo. Other chordal instrumentalists can also use the written material and accompany the violin soloist. These treasured songs are ideal for any worship service or gathering.
With this collection of 26 folk hymns, author Peter Irvine brings shape-note music into the home, and provides adaptable music for a variety of instrumental ensembles. This format allows for instruments such as the mountain dulcimer, Native American or transverse flute, penny whistle, fiddle, mandolin, guitar, and so forth. Anyone can play shape-note music, even when Sacred Harp gatherings or “singings” are not easily accessible. The hymns in this collection are drawn from various classic shape-note sources like Southern Harmony (1835) and The Sacred Harp (1844). Presented in lead-sheet format (melody, chords, and lyrics), and written in keys accessible to all C instruments and several D instruments such as the penny whistle and mountain dulcimer, the material offers plenty of arrangements. Hymns can be sung by a soloist, in unison by a small group with chordal accompaniment, or a mixed ensemble.
This unique book presents 18 of the most popular classical compositions typically performed at weddings. Rather than being written for the classic guitar, however, each piece is arranged for solo pick-style guitar—a.k.a., plectrum or flatpicking guitar—in both standard notation and tablature. Like classical guitar arrangements, these settings utilize the full spectrum of the guitar’s capabilities with bass lines, chords and melodies happening simultaneously. Although written for intermediate to advanced plectrum guitarists, fingerstyle players will also find these arrangements rewarding. This collection would serve as a convenient resource for pros who should be able to sight read most of this material on the job. Given that these arrangements sound complete and appropriate as plectrum guitar solos, pick-style students will also enjoy and benefit from working on these familiar melodies by Baroque, Classical and Modern masters.
In this popular book concert guitar soloist Gerard Garno presents a variety of guitar solo arrangements on 25 hymn and gospel favorites. A unique feature of this book is the inclusion of a simple fingerstyle solo, an advanced fingerstyle solo, the hymn text and tune with chords shown and historical notes on each selection. Written in notation and tablature, these solos sound equally good on steel or nylon string guitars.
Celebrate the winter season with these concert-ready arrangements influenced by a variety of folk traditions such as Celtic, old-time, bluegrass and Scandinavian fiddle. This collection of time-honored and original melodies is written with a modern string crossover twist to keep both the listener and performer engaged. All tunes are arranged by the Wires String Duo, including their original piece “Campbell Street”. The audio is a stereo recording of each of the arrangements inside this collection. Includes access to online audio.
New cello students nearly always start in first position aided by finger tapes or guides for accurate finger placement. As they advance, they are expected to learn to shift out of first position, but the focus is on the movement of the shift rather than on note locations or pitch accuracy. In this book, author and versatile cellist Halley Feaster introduces a step-by-step approach to understanding each position, leading to thorough comprehension of the cello fingerboard and a more confident and well-rounded player. Together with its engaging video component, Cello Position Handbook shows advanced beginners and intermediate students what notes are available in each of 12 positions. Short exercises and excerpts are provided for practice in each location, ultimately enabling fluid performance without excessive shifting. On completion of this volume, students will be familiar with what notes are available in each position and be able to move comfortably between them while expanding their repertoires. Includes access to online video.
This collection includes both didactic compositions of J.S. Bach as well as easy arrangements of several of his most popular works. the book begins with easier arrangements and progresses in its level of difficulty. All pieces are played in first position. Most of the piano parts double the cello to aid in performance. Titles include: 'Bouree I' from French Overture; and other favorites.