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"Hamburger's singular discovery of a group of devotional drawings made by an anonymous nun . . . is here presented with magisterial learning, theoretical sophistication, and deep human sympathy."—V. A. Kolve, University of California, Los Angeles
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For the past 140 years, Germany has been the central power in continental europe. Twenty-five years ago a new German state came into being. How much do we really understand this new Germany, and how do its people understand themselves? Neil MacGregor argues that, uniquely for any European country, no coherent, overarching narrative of Germany's history can be constructed, for in Germany both geography and history have always been unstable. Its frontiers have constantly shifted. Königsberg, home to the greatest German philosopher, Immanuel Kant, is now Kaliningrad, Russia; Strasbourg, in whose cathedral Wolfgang von Geothe, Germany's greatest writer, discovered the distinctiveness of his country's art and history, now lies within the borders of France. For most of the five hundred years covered by this book Germany has been composed of many separate political units, each with a distinct history. And any comfortable national story Germans might have told themselves before 1914 was destroyed by the events of the following thirty years. German history may be inherently fragmented, but it contains a large number of widely shared memories, awarenesses, and experiences; examining some of these is the purpose of this book. MacGregor chooses objects and ideas, people and places that still resonate in the new Germany—porcelain from Dresden and rubble from its ruins, Bauhaus design and the German sausage, the crown of Charlemagne and the gates of Buchenwald—to show us something of its collective imagination. There has never been a book about Germany quite like it.
When Friedrich Gilly died in 1800 at age twenty-eight, his architectural career had spanned less than a decade and construction of his major designs was incomplete. Nevertheless, his ideas so strongly influenced Berlin architecture of the next century that he is now widely regarded as the founder of Berlin's distinct architectural tradition. By uniting Rationalist and Neoclassicist principles, his designs achieve an artistic expression that is at once visually dramatic and formally pure. Today, his theories are known primarily through the work of Karl Friedrich Schinkel, his student who became one of Berlin's primary modern architects. In addition to presenting five of Gilly's most influential essays, this volume contains previously unpublished archival records that clarify the intellectual context in which Gilly developed his thoughts on architecture. A catalog of Gilly’s personal library is especially illuminating.
Focusing on knowledge, science and literature in early modern Germany, this collection presents 12 essays on emerging epistemologies regarding: the transcendent nature of the Divine; the natural world; the body; sexuality; intellectual property; aesthetics; demons; and witches.
This is the first cultural history of Baroque Dresden, the capital of Saxony and the most important Protestant territory in the Empire from the mid-sixteenth to the early eighteenth century. Helen Watanabe-O'Kelly shows how the art patronage of the Electors fits into the intellectual climate of the age and investigates its political and religious context. Lutheran church music and architecture, the influence of Italy, the cabinet of curiosities and the culture of collecting, alchemy, mining and early technology, official image-making and court theatre are some of the wealth of colourful subjects dealt with during the period 1553 to 1733.
x + 244 pp.
The present collection of primary sources, comprised of printed and manuscript materials, offers a new approach to the history of learned societies and Freemasonry in Hungary in the 18th century. Materials include academic proposals, regulations of learned societies and reading circles, letters, pamphlets as well as Masonic constitutions, rituals, orations, essays, and a sentimental novel. In addition to the Latin- and German-language documents, some Hungarian-language sources of special importance are published in English translation. The sources in the first part of the collection illustrate the growing desire and ambition among Hungarian intellectuals for establishing national literature and science, and for raising the level of general literacy among the population. Starting from the diagnosis that, compared to other European countries, Hungary was quite backward in terms of cultivating the sciences, several people emphasized the need to raise the standards of public education, while others thought that establishing learned societies or scientific academies could change the situation. The examination of the history of learned and secret societies shows that in 18th-century Hungary social culture could develop within the framework of Freemasonry. The functioning learned societies and reading circles were established at the initiative of lodge members, and a large number of the authors of the proposals were also Freemasons. The establishment of learned societies was motivated by the ideas which were also the guiding principles of the Freemasons: spreading enlightenment, promoting the well-being of the people, and supporting the sciences and the arts. The editors intended to bring to an international audience the selected materials which warrant further research and examination.