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A fun, opinionated, illustrated look at Westerns—with great photographs from great movies This unique compendium of short essays about, and evocative photos from, the 100 greatest Western movies of all time is the authoritative new resource on the subject—and the ideal illustrated gift book for all cowboy enthusiasts and cinema fans. Beyond being eminently browseable and lavishly illustrated, the book—compiled by the editors of the popular Western magazine American Cowboy—is sure to generate hot debate over its “top 100” list, and it covers plenty of movies that appeal to a wide variety of ages and tastes—from The Ox-Bow Incident, High Noon, and Shane to The Wild Bunch, High Plains Drifter, and Unforgiven. Each essay makes the case for why the selected movie belongs in the top 100—and included are five movies you’ve never heard of but should immediately put high on your list. The introduction sets forth the criteria for the selections while also presenting a short history of the genre.
In a publishing partnership with True West Magazine, Henry C. Park brings together previously published content as well as some new material in a single package for True West readers and lovers of the "Great Westerns" alike.
This unique compendium of short essays about, and evocative photos from, the one hundred greatest Western movies of all time is the authoritative new resource on the subject--and the ideal illustrated gift book for all cowboy enthusiasts and cinema fans. Beyond being eminently browseable and lavishly illustrated, the book--compiled by the editors of the popular Western magazine American Cowboy--is sure to generate hot debate over its "top 100" list, and it covers plenty of movies that appeal to a wide variety of ages and tastes--from Once Upon a Time in the West (#1), High Noon (#4) Shane (#5), Unforgiven (#6), The Wild Bunch (#8), The OxBow Incident (#18), and The Magnificent Seven (#34) to Ride the High Country (#44), Little Big Horn (#67), The Outlaw Josey Wales (#84), Jeremiah Johnson (#85), Brokeback Mountain (#97), and The Kentuckian (#100). Each essay makes the case for why the selected movie belongs in the top one hundred--and included are five movies you've never heard of but should immediately put high on your list to view. The introduction sets forth the criteria for the selections while also presenting a short history of the genre.
The Greatest Westerns Ever Made and the People Who Made Them provides an eclectic review of the Western film and television genre, from John Ford’s classic, black and white films, to Deadwood and indie darlings. Screenwriter Henry C. Parke presents a nuanced look at Hollywood’s dramatization of historic events, the common themes and archetypes of Western movies, and the characters we love (and sometimes love to hate). This book also features essays and interviews with influential Western filmmakers, character actors, the women of Western films (in front of and behind the cameras), and the Native American perspective on Western films and Hollywood’s portrayal of Native American people.
Robert Mitchum was--and still is--one of Hollywood's defining stars of Western film. For more than 30 years, the actor played the weary and cynical cowboy, and his rough-and-tough presence on-screen was no different than his one off-screen. With a personality fit for western-noir, Robert Mitchum dominated the genre during the mid-20th century, and returned as the anti-hero again during the 1990s before his death. This book lays down the life of Mitchum and the films that established him as one of Hollywood's strongest and smartest horsemen. Going through early classics like Pursued (1947) and Blood on the Moon (1948) to more recent cult favorites like Tombstone (1993) and Dead Man (1995), Freese shows how Mitchum's nuanced portrayals of the iconic anti-hero of the West earned him his spot in the Cowboy Hall of Fame.
For nearly two centuries, Americans have embraced the Western like no other artistic genre. Creators and consumers alike have utilized this story form in literature, painting, film, radio and television to explore questions of national identity and purpose. Westerns: The Essential Collection comprises the Journal of Popular Film and Television’s rich and longstanding legacy of scholarship on Westerns with a new special issue devoted exclusively to the genre. This collection examines and analyzes the evolution and significance of the screen Western from its earliest beginnings to its current global reach and relevance in the 21st century. Westerns: The Essential Collection addresses the rise, fall and durability of the genre, and examines its preoccupation with multicultural matters in its organizational structure. Containing eighteen essays published between 1972 and 2011, this seminal work is divided into six sections covering Silent Westerns, Classic Westerns, Race and Westerns, Gender and Westerns, Revisionist Westerns and Westerns in Global Context. A wide range of international contributors offer original critical perspectives on the intricate relationship between American culture and Western films and television series. Westerns: The Essential Collection places the genre squarely within the broader aesthetic, socio-historical, cultural and political dimensions of life in the United States as well as internationally, where the Western has been reinvigorated and reinvented many times. This groundbreaking anthology illustrates how Western films and television series have been used to define the present and discover the future by looking backwards at America’s imagined past.
Set in the border states of Kansas and Missouri, Woe to Live On explores the nature of lawlessness and violence, friendship and loyalty, through the eyes of young recruit Jake Roedel. Where he and his fellow First Kansas Irregulars go, no one is safe, no one can be neutral. Roedel grows up fast, experiencing a brutal parody of war without standards or mercy. But as friends fall and families flee, he questions his loyalties and becomes an outsider even to those who have become outlaws.
African American westerns have a rich cinematic history and visual culture. Mia Mask examines the African American western hero within the larger context of film history by considering how Black westerns evolved and approached wide-ranging goals. Woody Strode’s 1950s transformation from football star to actor was the harbinger of hard-edged western heroes later played by Jim Brown and Fred Williamson. Sidney Poitier’s Buck and the Preacher provided a narrative helmed by a groundbreaking African American director and offered unconventionally rich roles for women. Mask moves from these discussions to consider blaxploitation westerns and an analysis of Jeff Kanew’s hard-to-find 1972 documentary about an all-Black rodeo. The book addresses how these movies set the stage for modern-day westploitation films like Django Unchained. A first-of-its kind survey, Black Rodeo illuminates the figure of the Black cowboy while examining the intersection of African American film history and the western.