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Peter F. Collier (1849–1909) and Robert J. Collier (1876–1918) were the men behind publishing giant Peter F. Collier & Son, and their organization ranked among America's most prestigious firms. Collier's Weekly, which appeared in various forms from 1888 through 1957, was at the forefront of new publishing technologies, such as the use of halftone images, and was noted for its fiction and investigative journalism. Collier's publications regularly employed the best illustrators of the day, and the company frequently produced collections of favorite works from their popular periodicals. This volume presents the best color and black-and-white images from two rare portfolios, originally printed in 1908 and 1914. Featured artists include Charles Dana Gibson, whose contract with Collier's made his "Gibson Girl" a fixture in American culture, and Maxfield Parrish, who created many illustrations and covers for the magazine. Additional contributors include Howard Pyle, Jessie Willcox Smith, J. C. Leyendecker, Frederic Remington, and other noteworthy American artists of the early twentieth century.
Peter F. Collier (1849–1909) and Robert J. Collier (1876–1918) were the men behind publishing giant Peter F. Collier & Son, and their organization ranked among America's most prestigious firms. Collier's Weekly, which appeared in various forms from 1888 through 1957, was at the forefront of new publishing technologies, such as the use of halftone images, and was noted for its fiction and investigative journalism. Collier's publications regularly employed the best illustrators of the day, and the company frequently produced collections of favorite works from their popular periodicals. This volume presents the best color and black-and-white images from two rare portfolios, originally printed in 1908 and 1914. Featured artists include Charles Dana Gibson, whose contract with Collier's made his "Gibson Girl" a fixture in American culture, and Maxfield Parrish, who created many illustrations and covers for the magazine. Additional contributors include Howard Pyle, Jessie Willcox Smith, J. C. Leyendecker, Frederic Remington, and other noteworthy American artists of the early twentieth century.
Arranged in chronological order, each illustration is accompanied by complete bibliographical information, including pagination, issue date, physical description, and other notations. Every cover of each first-edition book reproduced in color.
In January 1969, just months before the Stonewall Riots, Ted Shawn (1891-1972) wanted to tell a story about how his life, writings, and dances contributed to the rapidly evolving gay liberation movement around him. Shawn died before he was able to put forth a candid account about how he, the "Father of American Dance," was homosexual, but he scrupulously archived his correspondence, diaries, photographs, and motion pictures of his dances, anticipating that the full significance of his choreography would reveal itself in time. Ted Shawn: His Life, Writings, and Dances tells that story.