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Inspired and inspirational, worldly wise, deeply felt, and often delightfully funny, here in one compact volume are 100 of the greatest poems written in English over the last century, memorable masterpieces that everyone should know and enjoy.
Collects one hundred poems from the past century that reflect modern culture, including works by William Butler Yeats, Langston Hughes, Dorothy Parker, Wallace Stevens, and Edna St. Vincent Millay.
"David Orr is no starry-eyed cheerleader for contemporary poetry; Orr’s a critic, and a good one. . . . Beautiful & Pointless is a clear-eyed, opinionated, and idiosyncratic guide to a vibrant but endangered art form, essential reading for anyone who loves poetry, and also for those of us who mostly just admire it from afar." —Tom Perrotta Award-winning New York Times Book Review poetry columnist David Orr delivers an engaging, amusing, and stimulating tour through the world of poetry. With echoes of Francine Prose’s Reading Like a Writer, Orr’s Beautiful & Pointless offers a smart and funny approach to appreciating an art form that many find difficult to embrace.
Poetry is one of those subjects almost impossible to define as it can be so many things at once. It can be: kids whispering limericks on the playground; secret languages used by revolutionaries and spies; or the written strength of oppressed people. Poetry is how millions of people across time have used language to try to better understand love, hate, war, religion, oppression, joy, sorrow, sex, and death. Poetry is one of the oldest forms of writing in the world, yet also constantly evolving. Despite its complexities, poetry is probably the way most people learned how to read. Poetry For Beginners is a fun, lively and accessible guide, and expands one’s understanding and knowledge of poetry through the ages. From ancient Greece to the present, Poetry For Beginners traces the wonders of the written word and shows how it is relevant in daily life.
Spanning the centuries from Sappho's Greece to tenth-century Japan, from nineteenth-century Chile to Zindziswa Mandela's twentieth-century South Africa, the voices of these women poets express themes of love, injustice, motherhood, and loss, and the oppressions of race and sex. The sequence of the poems moves from youth to old age, and they bear witness to the triumphs as well as the pain and frustration of women in many times and in many places. Among the many poets whose work is included are Anna Akhmatova, Maya Angelou, Judith Kazantzis, Gabriela Mistral, Marge Piercy, Irina Ratushinskaya and Alice Walker. Illona Linthwaite began gathering this collection several years ago, initially for a theatrical performance. Here, in this unique exchange between women of many races, affirming their differences and what they have in common, are more than 150 poems which assert the black abolitionist Sojourner Truth's challenge, "Ain't I a Woman!" In addition to the poems, there are biographies of the 91 contributors.
The last century's 100 most enduring poems, selected and introduced by former Poet Laureate Mark Strand. Accounting for the great range of style and content with which poets such as W. H. Auden, Dylan Thomas, Federico García Lorca, Rainer Maria Rilke, William Butler Yeats, Pablo Neruda, and Jorge Luis Borges responded to the changes and challenges of the twentieth century, 100 Great Poems of the Twentieth Century is intended as both a unique compendium for the already well-versed and as an engaging introduction for those new to the expansive world of poetry. Alan Ginsberg's struggle—"What thoughts I have of you tonight, Walt Whitman....In my hungry fatigue, and shopping for images, I went into the neon fruit supermarket, dreaming of your enumerations!"—is echoed by other remarkable poets in this international collection of exciting and moving poems that are alike not in their length or for their status as seminal texts but because they are impossible to forget.
Bridging feminist and cultural studies, the book shows how British and American women poets often operate as cultural insiders. Individual chapters reassess major figures (H.D., Gwendolyn Brooks, Sylvia Plath), alternative modernist poets (Edith Sitwell, Stevie Smith), and contemporary poets (Ai, Carol Ann Duffy).
Sappho, in the words of poet Algernon Charles Swinburne (1837–1909), was “simply nothing less – as she is certainly nothing more – than the greatest poet who ever was at all.” Born over 2,600 years ago on the Greek island of Lesbos, Sappho, the namesake lesbian, wrote amorously of men and women alike, exhibiting both masculine and feminine tendencies in her poetry and life. What’s left of her writing, and what we know of her, is fragmentary, and thus ever subject to speculation and study. The Shipwreck Sea highlights the love poetry of the soulful Sappho, the impassioned Ibycus, and the playful Anacreon, among other Greek lyric poets of the age (7th to 5th centuries BC), with verse translations into English by author Jeffrey Duban. The book also features selected Latin poets who wrote on erotic themes – Catullus, Lucretius, Horace, and Petronius – and poems by Charles Baudelaire, with his milestone rejoinder to lesbian love (“Lesbos”) and, in the same stanzaic meter, a turn to the consoling power of memory in love’s more frequently tormented recall (“Le Balcon”). Duban also translates selected Carmina Burana of Carl Orff, the poems frequently Anacreontic in spirit. The book’s essays include a comprehensive analysis with a new translation of Horace’s famed Odes 1.5 (“To Pyrrha”), in which the theme of (love’s) shipwreck predominates, and an opening treatise-length argument – exploring painting, sculpture, literature, and other Western art forms – on the irrelevance of gender to artistic creation. (No, Homer was not a woman, and it would make no difference if she were.) Twenty full-color artwork reproductions, masterpieces in their own right, illustrate and bring Duban’s argument to life. Finally, Duban presents a selection of his own love poems, imitations and pastiches written over a lifetime – these composed in the “classical mode”, which is the leitmotif of this volume. The Shipwreck Sea is a delightful and continually thought-provoking companion to The Lesbian Lyre, both books vividly demonstrating that classicism yet thrives in our time, despite the modernism marshaled against it.
Ekphrasis, the description of pictorial art in words, is the subject of this bibliography. More specifically, some 2500 poems on paintings are catalogued, by type of publication in which they appear and by poet. Also included are 2000 entries on the secondary literature of ekphrasis, including works on sculpture, music, photography, film, and mixed media.