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Through the centuries, the Christmas season has inspired composers, poets, lyricists and hymn writers to apply their craft in devotion to this event. This book presents 100 arrangements of favorite Christmas carols and advent hymns for flute solo with guitar accompaniment. Suggested chordal accompaniment is included for each solo so that any chordal instrument can accompany the flute. Where appropriate, capo chords are shown. The author has also indicated whether the guitarist should use fingerstyle or strum accompaniment. The music in this book spans centuries and represents a wonderful assortment of solos which may be used as preludes or offertories throughout the various seasons in the church year.
This collection contains 100 favorite gospel songs and hymns for flute and guitar. Inside you will find rousing camp meeting songs, sentimental expressions of a deep-rooted faith, and gospel oriented hymns with an old-time music flavor. In preparing this collection I felt the sincere and solid faith of America’s “revivalist era”, staunchly embedded in the rural and southern regions of America, but also in the dedicated inner city missions founded in sprawling urban centers. These solos will bring joy, exuberance, nostalgia and a renewed sense of commitment to any worship celebration. They serve as a vehicle for and witness to the Christian faith.
This book in the Guitar Picking Tunes series presents 29 favorite hymns arranged for guitar solo. The material spans the centuries, but reflects a deep faith, including lyrically-beautiful hymns such as “Just as I Am”, to the powerful “Crown Him with Many Crowns”. These solos work well as preludes, offertories, communion hymns and even recessionals, or simply for enjoyment. All solos are written in standard notation and tablature. Includes access to online audio.
Volume III of Playing Outside the Lines is the third of a comprehensive four-part Irish flute method book series offering beginning to advanced Irish traditional flute instruction for Boehm and simple system flutists in graduated books, chapters, and exercises. Building on the foundation provided in the first two books of the series, Volume III dives into more complicated Irish traditional flute ornamentation such as rolls, short rolls, crans, and breath-ornament techniques. Volume III contains ornamentation fingering charts; advanced ornamentation options, explanations, and placement guidelines; 62 accompanying audio tracks; and more than 170 exercises. Playing Outside the Lines is the first Irish flute method book series of its kind, containing more than 600 technical exercises, rich and nuanced discussions of Irish flute style and cultural context, previously undocumented techniques, side-by-side explanations for Boehm and simple system flutists (as well as information for musicians transitioning between the two instruments), audio excerpts, simple system flute care and purchasing information, and resources for further study. By the end of the four-part series, Boehm and simple system flutists of any background will have the tools necessary to play Irish music with a deep understanding of the tradition as well as with individual creativity. “A fantastic bible of Irish flute playing. Harrison is a very meticulous and thorough author.” —Viviana Guzman, The Flute View Magazine “An invaluable resource for any flutist.” —Brook Ferguson, Principal Flutist of the Colorado Symphony Orchestra “Leslie Anne Harrison’s Playing Outside the Lines is a marvelous gift to all interested in Irish music. Her clear and detailed writing is a huge boon to those embracing the traditional Irish flute and is truly enlightening to those (like me) who want to delve into this music while playing the Boehm flute. From tiniest detail to largest form, Leslie Anne Harrison is there every step of the way. Playing Outside the Lines is a major contribution to flute pedagogy.” —Robert Dick, Performer and Author of The Other Flute
A comprehensive collection of 146 guitar solos in notation and tablature. The solos include beautiful airs and ballads from America and the British Isles, Celtic favorites, and early music pieces. Also included are many original guitar solos written by the author. Each solo is recorded, and the book includes access to online recordings.
This comprehensive book contains the solos found in five William Bay guitar solo collections. The solos range from colorful foot tapping reels, breakdowns, hornpipes, jigs, fiddle tunes and sea chanteys to country and Celtic ballads and waltzes. Also included are numerous original guitar solos. All 143 solos in this collection are recorded by the author and online access to the recordings is included. All solos are presented in notation and tablature.
The author's intent while arranging these carols was to maintain their traditional flavor while making them idiomatic for the guitar. They are intended for guitarists with intermediate to advanced technique, and are ideal for performance at intimate gatherings as well as the concert stage. Standard classical guitar notation and symbols are used throughout. Includes access to online audio.
This unique book presents 18 of the most popular classical compositions typically performed at weddings. Rather than being written for the classic guitar, however, each piece is arranged for solo pick-style guitar—a.k.a., plectrum or flatpicking guitar—in both standard notation and tablature. Like classical guitar arrangements, these settings utilize the full spectrum of the guitar’s capabilities with bass lines, chords and melodies happening simultaneously. Although written for intermediate to advanced plectrum guitarists, fingerstyle players will also find these arrangements rewarding. This collection would serve as a convenient resource for pros who should be able to sight read most of this material on the job. Given that these arrangements sound complete and appropriate as plectrum guitar solos, pick-style students will also enjoy and benefit from working on these familiar melodies by Baroque, Classical and Modern masters.
In this popular book concert guitar soloist Gerard Garno presents a variety of guitar solo arrangements on 25 hymn and gospel favorites. A unique feature of this book is the inclusion of a simple fingerstyle solo, an advanced fingerstyle solo, the hymn text and tune with chords shown and historical notes on each selection. Written in notation and tablature, these solos sound equally good on steel or nylon string guitars.
100 Hymns for Flute and Guitar is a collection of all-time favorite hymns arranged for flute solo with suggested written chordal accompaniment. Fingerstyle guitar and strum styles are indicated on each solo, and capo chords are shown where appropriate. Other chordal instrumentalists can also use the written material. The repertoire spans centuries and represents a wonderful assortment of solos which may be used as preludes or offertories throughout the various seasons in the church year.