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100 Acts of Minor Dissent is a hilarious account of an entire year spent living provocatively. From successful campaigns against Royal Parks and multinationals, to arts and crafts with porn mags, from annoying estate agents, to raising cinema workers' wages, comedian and campaigner Mark Thomas stopped at nothing. The Acts were sometimes bold, sometimes surreal. Many brought about change and others were done for the sheer hell of it. Whether at the gates of the Saudi Arabian embassy or the checkout at Tesco - people reacted with laughter, shock, outrage and occasionally anger. Sometimes all of the above. 100 Acts of Minor Dissent makes for dangerously inspiring reading. Please note this is a fixed-format ebook with colour images and may not be well-suited for older e-readers.
Based on the words and experiences of the people involved, this book tells the story of the community arts movement in the UK, and, through a series of essays, assesses its influence on present day participatory arts practices. Part I offers the first comprehensive account of the movement, its history, rationale and modes of working in England, Northern Ireland, Scotland and Wales; Part II brings the work up to the present, through a scholarly assessment of its influence on contemporary practice that considers the role of technologies and networks, training, funding, commissioning and curating socially engaged art today. The community arts movement was a well-known but little understood and largely undocumented creative revolution that began as part of the counter-cultural scene in the late 1960s. A wide range of art forms were developed, including large processions with floats and giant puppets, shadow puppet shows, murals and public art, events on adventure playgrounds and play schemes, outdoor events and fireshows. By the middle of the 1980s community arts had changed and diversified to the point where its fragmentation meant that it could no longer be seen as a coherent movement. Interviews with the early pioneers provide a unique insight into the arts practices of the time. Culture, Democracy and the Right to Make Art is not simply a history because the legacy and influence of the community arts movement can be seen in a huge range of diverse locations today. Anyone who has ever encountered a community festival or educational project in a gallery or museum or visited a local arts centre could be said to be part of the on-going story of the community arts. This book is open access and available on www.bloomsburycollections.com . It is funded by the University of Manchester.
In a world in which social divisions are widening not lessening, it is essential for community development, or any other practice committed to social justice and sustainability, to understand how power works at every level, from grassroots projects to movements for change. This exciting and practical book is filled to the brim with useful ideas for busy practitioners. Building on the work of Paulo Freire, theories are presented in interesting and straightforward ways to provide an everyday reference for practice. Contained in these pages is all you need to give your practice a critical edge!
Why should anyone care about the medium of communication today, especially when talking about media law? In today’s digital society, many emphasise convergence and seek new regulatory approaches. In Medium Law, however, the ‘medium theory’ insights of Harold Innis, Marshall McLuhan and the Toronto School of Communication are drawn upon as part of an argument that differences between media, and technological definitions, continue to play a crucial role in the regulation of the media. Indeed, Mac Síthigh argues that the idea of converged, cross-platform, medium-neutral media regulation is unattainable in practice and potentially undesirable in substance. This is demonstrated through the exploration of the regulation of a variety of platforms such as films, games, video-on-demand and premium rate telephone services. Regulatory areas discussed include content regulation, copyright, tax relief for producers and developers, new online services, conflicts between regulatory systems, and freedom of expression. This timely and topical volume will appeal to postgraduate students and postdoctoral researchers interested in fields such as Law, Policy, Regulation, Media Studies, Communications History, and Cultural Studies.
Stand-up: it's the ultimate solo art form. Yet, behind the scenes, you will increasingly find the shadowy figure of a director. For comics themselves and for those who support them, this is the first book to give the director's perspective on creating and performing stand-up comedy. Drawing on his own experience of directing stand-up alongside speaking to comedians and their directors, Chris Head produces a revealing perspective on the creative process, comic persona, writing stand-up, structuring material and delivering a performance. Directors interviewed include Logan Murray, John Gordillo and Simon McBurney, who between them have directed Eddie Izzard, Michael McIntyre, Milton Jones, Lenny Henry and French & Saunders. With a foreword by BBC arts editor Will Gompertz and contributions from many other interviewees including Oliver Double (author of Getting the Joke), this is the only book that goes all the way from one-liners to theatre via comedy club sets and full-length shows. Perfect for stand-ups from newbies to pros, students of comedy, academics studying and teaching stand-up and for directors themselves, A Director's Guide to the Art of Stand-up offers hundreds of inspiring practical insights and shows how creating the comedian's highly personal, individual act can be a deeply collaborative process.
Funny, provocative and moving, The Liar's Quartet includes the scripts with brand new commentary from Mark Thomas' most acclaimed comic, political theatre. 'There is a battle of narratives. The working-class narrative is being erased. And as you erase that narrative, you erase truths with it.' Layered with political insight (and insult), and peppered with anecdote, The Liar's Quartet is a bravura performance in its own right. Each multi-award winning show examines Thomas' obsession with the bonds that bind us, those of family, friends and communities. Beginning with Bravo Figaro!, Mark puts on an opera in his dying father's living room (with the help of Royal Opera House singers) to explore their relationship. In Cuckooed, he unpicks the betrayal of a friend and a fellow activist who was in fact employed to spy for the UK's biggest arms company, BAE systems. And in The Red Shed, Mark returns to his political roots to harness the power of collective memory and celebrate the importance of working-class struggles and narratives in a story he describes as 'a topical tale about the miners' strike'. Laughter, anger and connection. Mark Thomas is more essential than ever ...
You're six years old. Mum's in hospital. Dad says she's 'done something stupid'. She finds it hard to be happy. So you start to make a list of everything that's brilliant about the world. Everything that's worth living for. 1. Ice Cream 2. Kung Fu Movies 3. Burning Things 4. Laughing so hard you shoot milk out your nose 5. Construction cranes 6. Me You leave it on her pillow. You know she's read it because she's corrected your spelling. Soon, the list will take on a life of its own. A new play about depression and the lengths we will go to for those we love.
50 THINGS ABOUT US is a fast and furiously funny journey through our national memory. It's about money, history, songs, gongs, wigs, unicorns, guns, bungs, sods of soil and rich fuckers. 'Patriotism is often the point where history and advertising intersect, and it was that brand of nationalism that Rees-Mogg and Johnson attempted to sell. It is a brand that can only hark backwards; a nostalgic nationalism built on half histories and wishes ... The kind of patriotism where the poetry of John Betjeman sits alongside blaming migrants for TB. 'But that is not our story. In fact, it is far from the narrative so many of us are a part of.' From self-deceptions on size, stature and space (clue: there's more than enough for everyone if we lose the golf courses) to the living links between empire, slavery, money and power, this is Mark Thomas' quest to remind us of the true and shared greatness of modern Britain. Structured as a list of fifty crucial 'Things', and fresh from a lock-down spent interviewing hundreds of NHS workers for the Wellcome Collection permanent archive, this is Mark Thomas at his provocative, passionate best.
For the first time, a collection of dissents from the most famous Supreme Court cases If American history can truly be traced through the majority decisions in landmark Supreme Court cases, then what about the dissenting opinions? In issues of race, gender, privacy, workers' rights, and more, would advances have been impeded or failures rectified if the dissenting opinions were in fact the majority opinions? In offering thirteen famous dissents-from Marbury v. Madison and Brown v. Board of Education to Griswold v. Connecticut and Lawrence v. Texas, each edited with the judges' eloquence preserved-renowned Supreme Court scholar Mark Tushnet reminds us that court decisions are not pronouncements issued by the utterly objective, they are in fact political statements from highly intelligent but partisan people. Tushnet introduces readers to the very concept of dissent in the courts and then provides useful context for each case, filling in gaps in the Court's history and providing an overview of the issues at stake. After each case, he considers the impact the dissenting opinion would have had, if it had been the majority decision. Lively and accessible, I Dissent offers a radically fresh view of the judiciary in a collection that is essential reading for anyone interested in American history.