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"Ten mice wake and get their home ready for the circus. As they clean and play, these colorful and acrobatic creatures demonstrate how the numbers from 1 to 9 can add up to 10"--Dust jacket.
Originally published between in 1978, these legends of the Haida people of British Columbia feature the wise and enterprising Mouse Woman, a narnauk (supernatural human/animal shape-shifter) who takes the form of both a mouse and a grandmother. Mouse Woman's role, as Christie Harris's carefully researched and respectfully told legends tell, was to keep order between other narnauks and humans. Both a teacher and a nurturer, the ever-watchful Mouse Woman keeps a particularly close eye on young people. When they are tricked into trouble (often by other narnauks), she uses tact and her own brand of trickery to set things right. A unique and wonderful character, the ingenious Mouse Woman convinces the young people to change their ways themselves with only a little bit of direction from her. This reissue of the original text features the striking original black-and-white line drawings of Douglas Tait. With a new and more contemporary look, these compelling stories hold appeal for fans of the legendary Harris and all readers drawn to legends and folktales.
A little buckaroo is turning two in this birthday book for the very young, the fifth story about the delightful holiday mice. Mischief and near disaster abound when the littlest mouse’s sister and brothers throw him a cowboy-themed party. Through simple rhymes and charming illustrations, readers witness the party preparations, the arrival of the guests, the opening of presents, and the blowing out of the candles, as well as the ensuing fulfillment of the little mouse’s fondest birthday wish: to be a cowboy.
In the tradition of ANNE OF GREEN GABLES and PIPPI LONGSTOCKING comes a heart-warming novel about love, family, grief, joy and the power of laughter and imagination. When Inge Maria arrives on the tiny island of Bornholm in Denmark to live with her grandmother, she's not sure what to expect. Her grandmother is stern, the people on the island are strange, and children are supposed to be seen and not heard. But no matter how hard Inge tries to be good, mischief has a way of finding her. Could it be that a bit of mischief is exactly what Grandmother and the people of Bornholm need?
Cooper has the clever idea of making his mom pancakes for her birthday, and his friend the moose offers to help. The moose claims he's the best chef in Alaska, but is he really? Find out if Cooper's mom is happy about the surprise awaiting her in the kitchen!
A very special mouse escapes from a lab to find his missing family in this charming story of survival, determination, and the power of friendship. What makes Isaiah so unique? First, his fur is as blue as the sky—which until recently was something he'd never seen, but had read all about. That's right: Isaiah can read and write. He can also talk to humans . . . if any of them are willing to listen! After a dramatic escape from a mysterious laboratory, Isaiah is separated from his "mischief" (which is the word for a mouse family) and has to survive in the dangerous outdoors, and hopefully find his missing family. But in a world of cruel cats, hungry owls, and terrified people, it's hard for a young, lone mouse to make it alone. When he meets an equally unusual and lonely human girl named Hailey, the two soon learn that true friendship can transcend all barriers.
When Little Moe accidently spills the monsters' brew leaving them with nothing to eat, an unexpected guest arrives with a big Halloween surprise.
DigiCat Publishing presents to you this special edition of "Mischief at St. Rollo's" by Enid Blyton. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.
Reading the World’s Stories is volume 5 in the Bridges to Understanding series of annotated international youth literature bibliographies sponsored by the United States Board on Books for Young People. USBBY is the United States chapter of the International Board on Books for Young People (IBBY), a Switzerland-based nonprofit whose mission is bring books and children together. The series promotes sharing international children’s books as a way to facilitate intercultural understanding and meet new literary voices. This volume follows Children’s Books from Other Countries (1998), The World though Children’s Books (2002), Crossing Boundaries with Children’s Books (2006), and Bridges to Understanding: Envisioning the World through Children’s Books (2011) and acts as a companion book to the earlier titles. Centered around the theme of the importance of stories, the guide is a resource for discovering more recent global books that fit many reading tastes and educational needs for readers aged 0-18 years. Essays by storyteller Anne Pellowski, author Beverley Naidoo, and academic Marianne Martens offer a variety of perspectives on international youth literature. This latest installment in the series covers books published from 2010-2014 and includes English-language imports as well as translations of children’s and young adult literature first published outside of the United States. These books are supplemented by a smaller number of culturally appropriate books from the US to help fill in gaps from underrepresented countries. The organization of the guide is geographic by region and country. All of the more than 800 entries are recommended, and many of the books have won awards or achieved other recognition in their home countries. Forty children’s book experts wrote the annotations. The entries are indexed by author, translator, illustrator, title, and subject. Back matter also includes international book awards, important organizations and research collections, and a selected directory of publishers known for publishing books from other countries.
‘Walker is my name and I am the same. Riddley Walker. Walking my riddels where ever theyve took me and walking them now on this paper the same. There aint that many sir prizes in life if you take noatis of every thing. Every time will have its happenings out and every place the same. Thats why I finely come to writing all this down. Thinking on what the idear of us myt be. Thinking on that thing whats in us lorn and loan and oansome.’ Composed in an English which has never been spoken and laced with a storytelling tradition that predates the written word, RIDDLEY WALKER is the world waiting for us at the bitter end of the nuclear road. It is desolate, dangerous and harrowing, and a modern masterpiece.