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A Civil Society explores the struggle to initiate women as full participants in the masonic brotherhood that shared in the rise of France's civil society and its "civic morality" on behalf of women's rights. As a vital component of the third sector during France's modernization, freemasonry empowered women in complex social networks, contributing to a more liberal republic, a more open society, and a more engaged public culture. James Smith Allen shows that although women initially met with stiff resistance, their induction into the brotherhood was a significant step in the development of French civil society and its "civic morality," including the promotion of women's rights in the late nineteenth century. Pulling together the many gendered facets of masonry, Allen draws from periodicals, memoirs, and archival material to account for the rise of women within the masonic brotherhood in the context of rapid historical change. Thanks to women's social networks and their attendant social capital, masonry came to play a leading role in French civil society and the rethinking of gender relations in the public sphere.
Provides a fresh and global perspective on the works and influence of a nineteenth-century musical and theatrical phenomenon.
This first-rate introduction to the study of social networks combines a hands-on manual with an up-to-date review of the latest research and techniques. The authors provide a thorough grounding in the application of the methods of social network analysis. They offer an understanding of the theory of social structures in which social network analysis is grounded, a summary of the concepts needed for dealing with more advanced techniques, and guides for using the primary computer software packages for social network analysis.
"This collection provides us with that rarest of objects: a genuinely new book on Wagner. Virtually every page offers fresh perspectives, some of them mined from the most unlikely of sources; indeed, the sheer eclecticism of the book, its willingness to range widely and irreverently through both popular and elite culture, is one of its greatest strengths."—Roger Parker, author of Remaking the Song: Operatic Visions and Revisions from Handel to Berio "John Deathridge is one of the most authoritative, widely-regarded Wagner scholars around in any language. Few can match his command of scholarship and primary sources, and no one else knows how to put them to such clever, provocative uses. In addition, Deathridge enjoys an impressive range of critical, historical, and literary reference. The writing is consistently lively and engaging. The collection will provide a welcome change of diet for those tired of the usual Wagnerian fare. This is a welcome contribution, indeed."—Thomas Grey, author of Wagner's Musical Prose: Texts and Contexts
This book articulates a new research program, called “Ur-Illuminism,” which consists in an integrated and systematic study of humanity’s quest for “illumination,” namely, for the highest and noblest possible mode of being. Thus, it takes on the challenge of revising widely accepted ways of understanding and interpreting the ontological underpinnings of civilization and the ontological potential of humanity. It allows the reader to delve into a creative “rediscovery” of Platonism, medieval Christian mystics’ and scholars’ writings, and various “illuminist” systems, from the Orphic mystical cult to the European Enlightenment and thence to the eighteenth-century Illuminati fraternities and beyond. Moreover, the book studies major issues in the history of philosophy, politology, and esoteric systems (such as Hermeticism, the Kabbalah, alchemy, the Rosicrucian movement, Freemasonry, and the Bavarian Illuminati). It maintains that a postmodern “rediscovery” of premodern metaphysics, specifically, a postmodern esoteric theocracy (as distinct from old sacerdotalism and religious formalism), is the best bulwark against oppression and the ontological degradation of humanity, as well as the best path to the attainment of that wisdom and spiritual self-knowledge which constitute the existential integration and completion of the human being. In this context, it proposes a peculiar and intellectually fecund synthesis between Tory Anarchism, Libertarianism, Platonism, and Byzantine Hesychasm, as they are elucidated here.
Parisian theatrical, artistic, social, and political life comes alive in Mark Everist's impressive institutional history of the Paris Odéon, an opera house that flourished during the Bourbon Restoration. Everist traces the complete arc of the Odéon's short but highly successful life from ascent to triumph, decline, and closure. He outlines the role it played in expanding operatic repertoire and in changing the face of musical life in Paris. Everist reconstructs the political power structures that controlled the world of Parisian music drama, the internal administration of the theater, and its relationship with composers and librettists, and with the city of Paris itself. His rich depiction of French cultural life and the artistic contexts that allowed the Odéon to flourish highlights the benefit of close and innovative examination of society's institutions.
A lively history of French opera in its cultural and historical context by one of France's leading musicologists.
This Companion is an accessible introduction to Schumann: his time, his temperament, his style and his œuvre. An international team of scholars explores the cultural context, musical and poetic fabric, sources of inspiration and interpretative reach of key works from the Schumann repertoire ranging from his famous lieder and piano pieces to chamber, orchestral and dramatic works. Additional chapters address Schumann's presence in nineteenth- and twentieth-century composition and the fascinating reception history of his late works. Tables, illustrations, a detailed chronology and advice on further reading make it an ideally informative handbook for both the Schumann connoisseur and the music lover. An excellent textbook for the university student of courses on key composers of nineteenth-century Western Classical music, it is an invaluable guide for all who are interested in the thought, aesthetics and affective power of one of the most intriguing figures of a culturally rich and formative period.